Common sense would tell us that it is just about impossible for someone to either copy or to get inspiration from an existing material and yet produce something which is
immensely superior to the material which had inspired him… especially when it concerns a book which is as voluminous in it’s contents as the Qur’an.
The challenge to produce a Sura like it is by no means a subjective one and can in fact be tested
objectively.
The following is an excerpt from an
article:
The Arabic language and Arab speech are divided into two branches. One of them is rhymed poetry. It is a speech with metre and rhyme, which means every line of it ends upon a definite letter, which is called the ‘rhyme’. This rhymed poetry is again divided into metres or what is called as al-Bihar, literally meaning ‘The Seas’. This is so called because of the way the poetry moves according to the rhythmic patterns. There are sixteen al-Bihar viz; at-Tawil, al-Bassit, al-Wafir, al-Kamil, ar-Rajs, al-Khafif, al-Hazaj, al-Muttakarib, al-Munsarih, al-Muktatab, al-Muktadarak, al-Madid, al-Mujtath, al-Ramel, al-Khabab and as-Saria’. Each one rhymes differently.
The other branch of Arabic speech is prose, that is non-metrical speech. The prose may be a rhymed prose. Rhymed prose consists of cola ending on the same rhyme throughout, or of sentences rhymed in pairs. This is called “rhymed prose” or sajc. Prose may also be straight prose (mursal). In straight prose, the speech goes on and is not divided in cola, but is continued straight through without any divisions, either of rhyme or of anything else. Prose is employed in sermons and prayers and in speeches intended to encourage or frighten the masses.
So, the challenge is to produce in Arabic, three lines, that do not fall into one of these sixteen al-Bihar, that is not rhyming prose, nor like the speech of soothsayers, and not normal speech, that it should contain at least a comprehensible meaning and rhetoric, i.e. not gobbledygook.
It is interesting to note that all of the known pre-Islam and post-Islamic poetry falls in the above sixteen metres or al-Bihar. Indeed the pagans of Mecca repeatedly accuse Prophet Muhammad (pbuh) of being a forger, a soothsayer etc. The Arabs who were at the pinnacle of their poetry and prose during the time of revelation of the Qur’an could not even produce the smallest surah of its like. The Qur’an’s form did not fit into any of the above mentioned categories. It was this that made the Qur’an inimitable, and left the pagan Arabs at a loss as to how they might combat it.
