This is pretty much the point that has been made in much of the rest of this thread.
But it raises the question of who the āweā is that is not teaching children. Should parishes be paying for this? Should priests be giving homilies about the duties of parents to raise future organists?
It would seem that most parents are uninterested in giving their children organ lessons. I would guess that more parents want their children to take piano, flute, or violin lessons than want to give their children organ lessons.
These are good questions. How do āweā encourage children to learn the organ for our churches? I think it should start with the parents, like with anything. But many of the parents today, grew up with very little influence with the organ. If they did have an organ at mass, more than likely did they not have a good organist⦠a mediocre one at best. Then there are the popular stereotypes of who plays the organ - the creepy, skinny man going all out with the Bach Toccata and Fugue, the little old lady with shaking hands who can barely see over the organ consul, the cheesy registrations and playing by the guys who play at hockey and baseball games, and the very talented, yet flamboyant lady with big hair and loud, sequin clothing. Understandably, even though they are stereotypes, parents usually donāt want to think of their sweet, little cherub faces looking or acting like stereotypes. If these parents never really attended organ concerts or attended a church with a very good organist or a real, well-taken-care-of organ, they wonāt realize that organists are usually normal people, not the extremes from the stereotypes. They wonāt see the value of providing organ lessons for their children.
Where I live, I do get to meet and work with some very good, young organists in their 20s and 30s. Those who have studied at places like Westminster Choir College, Curtis, Peabody, Julliard, etc. Then you have those who have studied privately, with no degree, yet can play the socks off any organ and are sometimes even better musicians than the ones who have the conservatory training. Most of these men and women are normal, lovely people and I do believe when you see people like that at the organ, it can break those stereotypes and might encourage learning it, because they are closer in age to the youth. That said, most areas donāt see organists like that. They mostly stay in the cities because that is where you can make a living as an organist and music director. Suburban parishes usually donāt want to pay or donāt have the means to pay a living wage to people of that kind of training and talent. Plus the musical tastes and needs seem to be different. But, you really donāt need to be conservatory trained to play the organ at mass.
My own personal opinion is that future, little organists should take piano first then move onto the organ. I find with the organists who are well trained on the piano and are equally well-trained on the organ, play the organ much more beautifully. There is a warmth and beauty in their playing that I usually donāt hear from those who started out mainly on organ. But that is just an aesthetic preference.
I do think that if people are complaining about a lack of organists, they really should put their money where their mouths are. Either dedicate 5-10 years (or more) of your life to master the organ yourself, or be a generous donor to help finance the music education of young organists. Pastors and music directors should help make it easy for organists to practice at their parishes. Younger organ students should have opportunities to play parts of or the entire mass. I have friends who started playing the organ for mass as young as 8 years old. Theyād get paid like $10 for the mass. Older friends who are now in the 50s and 60s were taught to play by their music teacher at the Catholic school. There were a good number of kids in their own parishes who were learning the organ and proficiently that they would have to schedule times after school or during lunch to practice. Iām guessing that back then, it was expected that the organ was the only instrument to be played so they had to encourage the learning of it. To Catholics, it was the church instrument.