Basically, we have different tastes in liturgical music. The Church obviously doesnāt have much issue with the folk music being written, since Fr Jan Michael Joncas is one of the composers in question, and last I checked they still let him say Mass every Sunday. Iām not going to force you to listen to folk music in Mass and I donāt expect you to force me to listen to chant. Different people, different cultures, different music.
This drives me insane! We donāt just have different tastes and letās not just leave it at that. Just because Fr. Joncas hasnāt been suspended or defrocked for writing music in the style in which he writes doesnāt mean that it is equally acceptable. He shouldnāt be in trouble for writing that music, it is perfectly acceptable music for a priest to compose; it is just not suitable for the mass. If you had a concert of Fr. Joncasās music at church, it would be quite wholesome and seemly for Catholics to attend. Iām not saying heās a bad man, just that he is not writing music that is suitable for mass. I hope you can see the distinction there.
We are different people, but we arenāt different cultures. Iām an American Catholic. That is substantially the
same culture as you. The point of the church writing document after document about music is not so that they can be ignored; She wanted to make it clear that it isnāt an opinion contest. If it were about what mass setting I thought sounded the best, Iād be vote for the Electric Prunes
Mass in F Minor, although the Stravinsky Mass might be a very close second. I listen to them both quite often, but that doesnāt mean that either one is exactly mass-appropriate. The Stravinsky is perhaps a little closer, but it is still essentially Classical music, and not ritual music, a distinction about which ethno-musicologists are quite clear.
The church has tried to make such a distinction, but it is regrettably less clear, greatly due to the fact that most of the field of study of ethno-musicology is from the last 15 years, and there has been little in the way of church documents about music in that span. That said, the documents, even the most recent edition of the GIRM are far from ambiguous, unless you choose to read ambiguity into them (c.f. above, about the meaning of the word āchantā).
Iām sorry that you have yet to develop a taste for the traditional music of the church. I promise you that learning to love chant is as easy and rewarding as learning to love icons. At first you will see the beauty, but it is easy to get bored by both if you are expecting them to entertain you. Once you remove that obstacle and understand that the purpose of icons and chant is to lift your mind to prayer and meditation rather than to make you feel good, you develop a whole different aesthetic. It will help you to understand other traditions better, and develop an understanding of mysticism, but it will probably never entertain you. At least so far for me, I can say Iāve never been entertained by chant, but I have often been uplifted by it.
And that is why I donāt drive around listening to chant very often; if I focus on praying in my car, Iāll have to rely on my guardian angel to keep me from getting into an accident. Iād rather have something that entertains me when Iām driving. We need something that takes us closer to God when we are praying.