N
niceatheist
Guest
The point of the Searchers, so far as I can see, is that the hero (who really is an “anti-hero”, perhaps the first actual anti-hero in American cinema), holds such conflicted views on the Indians. There’s a point in the film where Wayne’s character seems perfectly willing to kill his niece, should he discover that she has become too much like her captors (the suggestion being that she has had sexual relations with them). The fact that his only friend is the young half-breed only adds to the peculiar dichotomy at the heart of the film. Wayne’s character hates Indians so much that he’s willing to kill a member of his own family should she have become too much like them, and right up until the end we cannot be sure whether Wayne will embrace or murder her.
To me, it’s one of the most complex Westerns ever made. It isn’t a perfect film (the young half-breeds romantic leanings towards one of the settlers always seemed a bit forced to me), but Wayne’s character is a triumph; and created the archetype that Clint Eastwood would spend much of his career as an actor and director in the genre aspiring to.
As to destroying Wayne, well, I wouldn’t go so far as to say anyone was trying to destroy him, but even during his later years some of his statements were rather uncomfortable. He was an unabashed conservative, and certainly held some views I would call “old fashioned”. I do not think he was a racist, in that he didn’t believe anyone was inherently inferior, but he had the misfortune of having his later career sit one foot in the door of the modern era, and thus some of his films and comments were inevitably compared to the changing mores. Even some of his admirers in that later period seemed at pains to square the man they met (who was by all accounts a warm and decent man) with some of his comments. Mind you, back in the 1960s and 1970s, we didn’t live in the 24 hour news cycle, so an offhand comment or poorly-made observation didn’t become headline news.
To me, it’s one of the most complex Westerns ever made. It isn’t a perfect film (the young half-breeds romantic leanings towards one of the settlers always seemed a bit forced to me), but Wayne’s character is a triumph; and created the archetype that Clint Eastwood would spend much of his career as an actor and director in the genre aspiring to.
As to destroying Wayne, well, I wouldn’t go so far as to say anyone was trying to destroy him, but even during his later years some of his statements were rather uncomfortable. He was an unabashed conservative, and certainly held some views I would call “old fashioned”. I do not think he was a racist, in that he didn’t believe anyone was inherently inferior, but he had the misfortune of having his later career sit one foot in the door of the modern era, and thus some of his films and comments were inevitably compared to the changing mores. Even some of his admirers in that later period seemed at pains to square the man they met (who was by all accounts a warm and decent man) with some of his comments. Mind you, back in the 1960s and 1970s, we didn’t live in the 24 hour news cycle, so an offhand comment or poorly-made observation didn’t become headline news.