Well, there you go . . .
Personally, I can see echoes of Genesis in stories like the Goddess Inanna and the Huluppu tree - with the screech owl Lilith for good measure (an interesting side-view of a Jewish legend).
I really can’t see what your problem is with this but I’m (obviously) not interested in suggested similarities between pagan gods and Jesus. The exodus from Sumer (Abraham) and Egypt were sure to leave their mark - whether it’s in legend or ways of doing things - a whole tribe of priests after leaving Egypt does rather suggest some Egyptian ‘management theory’, for example!
Well, Lilith is something the whole Semitic family borrowed from the Sumerians, because she was a part of their ideas about medicine (ie magic). As for Inanna being like Eve…there are things you just don’t say, and one is comparing anybody’s ancestors, even their semi-mythical ones, to the sluttiest, most conniving, most heartless deity in all of human history. Mickey Spillane has a higher view of women than whoever came up with Inanna.
Come to think of it is possible there’s some literary influence there, but I have a feeling it’s just the motif of the tree of life with a tempter/danger in it–which all cultures have. It’s all over the place in Indo-European mythology, and it shows up at least twice
just that I can think of in the Chinese
Journey to the West.
But the tribe of priests thing is no more of Egyptian origin than the Roman
flamen are of Hindu origin (brahmin and flamen, aside from being from the same word, are just the localizations of the Indo-European priestly caste).
The real explanation is, the Egyptians
and the Semites share an origin (their languages are related, among other things), and they had a special status for priests. In pre-Islamic Arab societies they were called
sha’ir or “poets” (oddly parallel to Navajo
hataali or “singer”), and were basically “medicine men”.
I don’t have a problem with it as such; I just question whether parallelism necessarily means derivation–and in the case of the Isis-Mary thing, I don’t think there
is any parallelism. But as with the tree motif I mentioned, the same image can easily occur to ten artists who’ve never heard of each other. It’s not really possible to ascribe any of those parallels to a common origin, unless you’re a Jungian (if so, feel free).