I
Insight
Guest
It would be difficult to believe, considering everyone involved is sworn to oaths of secrecy for life under excommunication, that when the guilty Priest finally transfers, that the scandal suddenly become free public knowledge for everyone.
I don’t have a problem with the Church considering the Poem fiction. The “Nihil Obstat” and “Imprimatur” provided by Bishop Roman verify that Valtorta’s writings are free of doctrinal or moral error and nothing in it that contradicts Catholic dogma. That is enough for me. As far as fact or fiction is concerned, one can consider the scientific and technical substantiations. It is more than likely that anyone possessing simple deductive reasoning would be come to a logical conclusion.
Maria Valtorta describes Jesus as having blonde hair and blue eyes. There are three entirely separate eyewitness descriptions that confirm this, one authenticated by The United States Congressional Library and another dates back to 5 BC (± 50yrs accuracy). The third by Publius Lentrelus. Not to mention the most recent analysis of the shroud.
Maria Valtorta keeps perfect track of Jesus, Mary and over 500 additional personalities. None of which are in the wrong place at the wrong time. Jesus is appropriately in Jerusalem and Judea for Passover and Pentecost in all four spring seasons, and at the Tabernacles in all three fall seasons of His ministry. Jesus traverses the land of Palestine from one end to another in at least six cycles (some 4,000 miles), ministering in some 350 named locations, including places in Palestine known only to specialized archaeologists. A fundamental proof of divine influence.
“The 10,000 pages of Divine Revelation were given by our Lord in completely random succession. Maria records the visions in simple bound school note books, with no corrections, in the random order as they were given. On the surface, the complete work appeared as a well shuffled deck of cards. Towards the end, Jesus provides the proper sequence, the key, which could not be realized until the mammoth task of typing the manuscript was completed, allowing the individual pages to be sequenced in the specified succession. When finally placed in the correct progression, the puzzle materializes into a seamless perfect flowing chronology.
Geologist and Mineralogist Dr. Vittorio Tredici points out how Maria Valtorta described and correctly named several towns and villages that were not even discovered until after her death. David J. Webster posted a landmark 31 page article that fundamentally proves the authenticity of Maria Valtorta’s writings. The “Poem of the Man-God” may be the very first Private Revelation ever to be scientifically proven genuine. David meticulously and methodically examines Maria Valtorta’s strikingly accurate descriptions of first Century Palestine for every piece of topographical evidence. He then compares this evidence with currently known facts that are only now being proven authentic. “Over thirty percent or 79 (all entries marked with * and ) of the 255 geographical sites in Palestine mentioned in the Poem were not listed in the 1939 International Standard Bible Encyclopedia (ISBE) Atlas. 62 (all) of these 79 were not even listed in the 184 page Macmillan Bible Atlas (MBA) published in 1968. [Maria Valtorta died in 1961] Where did Maria Valtorta get all these names? For a first century eye-witness to include so many obscure and unknown names would, of course, be expected. And most surprising is that these names, obscure and unknown in the 1940’s, are only now being proven authentic. 52 of these 62 have no biblical reference whatever, and 17 of these with no biblical reference have been either indirectly confirmed as authentic by recent “ancient external sources” found in the Macmillan Bible Atlas (1968) or actually listed in the HarperCollins Atlas of the Bible (1989). This makes a total of 29 confirmations since the 1939 ISBE atlas listing. Also among those 62 sites are mentioned the ruins of 6 ancient Palestinian cities some corresponding to the modern consensus on location. In addition, Valtorta’s precise descriptions of the natural topography of Palestine from numerous locations and the information about the outside pagan world of that day, including people, places, customs, Greek and Roman mythology, related in the conversations of that day, are strikingly correct.”
I don’t have a problem with the Church considering the Poem fiction. The “Nihil Obstat” and “Imprimatur” provided by Bishop Roman verify that Valtorta’s writings are free of doctrinal or moral error and nothing in it that contradicts Catholic dogma. That is enough for me. As far as fact or fiction is concerned, one can consider the scientific and technical substantiations. It is more than likely that anyone possessing simple deductive reasoning would be come to a logical conclusion.
Maria Valtorta describes Jesus as having blonde hair and blue eyes. There are three entirely separate eyewitness descriptions that confirm this, one authenticated by The United States Congressional Library and another dates back to 5 BC (± 50yrs accuracy). The third by Publius Lentrelus. Not to mention the most recent analysis of the shroud.
Maria Valtorta keeps perfect track of Jesus, Mary and over 500 additional personalities. None of which are in the wrong place at the wrong time. Jesus is appropriately in Jerusalem and Judea for Passover and Pentecost in all four spring seasons, and at the Tabernacles in all three fall seasons of His ministry. Jesus traverses the land of Palestine from one end to another in at least six cycles (some 4,000 miles), ministering in some 350 named locations, including places in Palestine known only to specialized archaeologists. A fundamental proof of divine influence.
“The 10,000 pages of Divine Revelation were given by our Lord in completely random succession. Maria records the visions in simple bound school note books, with no corrections, in the random order as they were given. On the surface, the complete work appeared as a well shuffled deck of cards. Towards the end, Jesus provides the proper sequence, the key, which could not be realized until the mammoth task of typing the manuscript was completed, allowing the individual pages to be sequenced in the specified succession. When finally placed in the correct progression, the puzzle materializes into a seamless perfect flowing chronology.
Geologist and Mineralogist Dr. Vittorio Tredici points out how Maria Valtorta described and correctly named several towns and villages that were not even discovered until after her death. David J. Webster posted a landmark 31 page article that fundamentally proves the authenticity of Maria Valtorta’s writings. The “Poem of the Man-God” may be the very first Private Revelation ever to be scientifically proven genuine. David meticulously and methodically examines Maria Valtorta’s strikingly accurate descriptions of first Century Palestine for every piece of topographical evidence. He then compares this evidence with currently known facts that are only now being proven authentic. “Over thirty percent or 79 (all entries marked with * and ) of the 255 geographical sites in Palestine mentioned in the Poem were not listed in the 1939 International Standard Bible Encyclopedia (ISBE) Atlas. 62 (all) of these 79 were not even listed in the 184 page Macmillan Bible Atlas (MBA) published in 1968. [Maria Valtorta died in 1961] Where did Maria Valtorta get all these names? For a first century eye-witness to include so many obscure and unknown names would, of course, be expected. And most surprising is that these names, obscure and unknown in the 1940’s, are only now being proven authentic. 52 of these 62 have no biblical reference whatever, and 17 of these with no biblical reference have been either indirectly confirmed as authentic by recent “ancient external sources” found in the Macmillan Bible Atlas (1968) or actually listed in the HarperCollins Atlas of the Bible (1989). This makes a total of 29 confirmations since the 1939 ISBE atlas listing. Also among those 62 sites are mentioned the ruins of 6 ancient Palestinian cities some corresponding to the modern consensus on location. In addition, Valtorta’s precise descriptions of the natural topography of Palestine from numerous locations and the information about the outside pagan world of that day, including people, places, customs, Greek and Roman mythology, related in the conversations of that day, are strikingly correct.”