Projecting the words for songs at mass

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Again, Projectors are not mentioned in Musica Sacra. This is the only document Pope Pius issued on the subject. I will link it one more time. In today’s age, a simple search will clear this up. I think AB Burke and others know what they are doing.

vatican.va/holy_father/pius_xii/encyclicals/documents/hf_p-xii_enc_25121955_musicae-sacrae_en.html
Pnewton, I think that there is confusion on the name of the document since “Musicae-Sacrae” seems very much like Musicam Sacram. Here is the quote:
  1. The use of any kind of projector, and particularly movie projectors, with or without sound track, is strictly forbidden in church for any reason, even if it be for a pious, religious, or charitable cause.
When the Church issues one document, as was the case with “Musicae Sacrae”, which was actually issued by the Congregation for Sacred Rites (the precursor to the CDWDS) and a subsequent document is silent, that, I believe, means that whatever was previously in place still holds.
 
When the Church issues one document, as was the case with “Musicae Sacrae”, which was actually issued by the Congregation for Sacred Rites (the precursor to the CDWDS) and a subsequent document is silent, that, I believe, means that whatever was previously in place still holds.
It appears that not everyone agrees. I do not think I do, even though I do not like projectors. Reading the context, it seems like it was dealing more with noise disruption. It is fifty years old. It is instructions on the implementation of the encyclical, not the papal encyclical itself. A new instruction is not likely to be issued for the sake of one minor point.

I think the ultimate point for me, is that a focus on such questionable issues is a distraction from more important liturgical abuse. I do not think I would complain about it, but save any complaints for when they sing Wind Beneath My Wings for an offertory.
 
It appears that not everyone agrees. I do not think I do, even though I do not like projectors. Reading the context, it seems like it was dealing more with noise disruption. …I think the ultimate point for me, is that a focus on such questionable issues is a distraction from more important liturgical abuse. I do not think I would complain about it, but save any complaints for when they sing Wind Beneath My Wings for an offertory.
While I quoted only part of this post, my comment here sort of addresses benedictgal and Cat as well.

I will try to say this one more time, as I think I have not succeeded well in communicating. 🙂

#1 - I think the idea is scarier than the reality. Most of the negative responses here seemed to be (understandably) from those who have experienced either not a good (imperfect storm) situation with regard to projected music during Mass, or (most likely) have not experienced it at all. Again, I am an anti-modernist, overall. The first time I saw the projector, I thought, Wait, No Way! This will destroy the liturgy, affect people’s concentration, be unprayerful, introduce high-tech into an ancient setting (etc.) Then when I saw what a profoundly positive change it made in the quiet and focus at Mass, I saw its value. It focused people on The Presence, on the silence, on the priest’s activity instead of their own “activity.” It continues to be the quietest, most reflective Mass, when I do have a chance to attend it.

#2 - My guess is that, just as our bishop knows full well what goes on in this church, so, too other bishops do, in theirs. I don’t know how it works in those other parishes & dioceses, what the bishops hear about those screens (could make a big difference in whether bishops choose to act on whatever new or old documents say about the practice). As you folks know, bishops don’t act on every complaint or controversy; they have not the time; and…

#3 - They, like us, have to pick their battles. If I did have a problem with this particular well-done projector in this particular church (I don’t know why I would, when I see the outcome of it), it would be less of an issue for me than…
(a) the scarcity of confession times in most churches
(b) the lack of access to churches to pray outside of Mass times
(c) the inadequate catechesis still dominating in most parishes
(d) the bad, uninspiring music in most of the churches without projectors
(e) the closing of Catholic schools
(f ) lay preaching
etc.
 
The paragraph in question from De Musica Sacra is as follows:The first thing I notice, that I hadn’t seen before, is that no allowance is made for use of a projector in church even outside of mass. By suggesting that video projection is acceptable not just after mass, but actually during mass, so long as it is during the announcements, you and others seem to disregard De Musica Sacra . But you’re in good company. If a bishop is making video recordings for the entire diocese to watch on Sunday, he either wants them all to decamp to the parish hall after mass for a viewing party, or he doesn’t accept that De Musica Sacra carries the force of law.
I think you have misunderstood me. I am not saying that this document you reference says anything at all as regards this practice. Rather, I am questioning the apparent extrapolation that if a Cardinal makes a DVD that means he supports projecting song lyrics onto walls during the liturgy. That doesn’t follow. We don’t know when he even intended to have this video shown, and even if it were intended to be seen during a Mass, it still says nothing about song lyrics which are not related. If one automatically follows the other then we must also deduce he supports using prerecorded videos or movies in place of a homily. But, there is nothing to suggest such a thing. The Cardinal made a DVD, and that means nothing other than he intended for his flock to watch it.

One of the problems that seems to be plaguing people here is a fundamental misunderstanding about liturgy. Just because something may not be forbidden doesn’t mean it is approved. There is no document that I am aware of which forbids the use of dramatic lighting, in the style of Who Wants to be a Millionaire, which swings down onto the altar during the consecration, but I doubt many people would want to see this. And if somebody argued it was okay because bells do the same thing and this is just using technology to do what bells did in the past that would not convince me in the least. Neither would the fact that electric lights are already used today. Having an electric light in a church is not an invitation to stage lighting effects or other such innovations. These practices are not fitting with the solemnity of the occasion, which is much more than just a group activity. Whether lyrics on the wall make singing easier or even just reduces costs make little difference. Many things would make certain things easier in a Mass or lower costs, but that doesn’t make it okay or a good idea. Worship is not the result of cost benefit analysis.
 
The paragraph in question from De Musica Sacra is as follows:
  1. The use of any kind of projector, and particularly movie projectors, with or without sound track, is strictly forbidden in church for any reason, even if it be for a pious, religious, or charitable cause.
I forgot to mention that the exclusion of projectors from church at any time is clearer when you compare it to paragraph 71, addressing recorded sound:
However, such machines may be used, even inside the church, but not during services of any kind, whether liturgical or private
 
I think you have misunderstood me. I am not saying that this document you reference says anything at all as regards this practice. Rather, I am questioning the apparent extrapolation that if a Cardinal makes a DVD that means he supports projecting song lyrics onto walls during the liturgy. That doesn’t follow. We don’t know when he even intended to have this video shown, and even if it were intended to be seen during a Mass, it still says nothing about song lyrics which are not related.
I see you point. However, if a bishop intends his message to be shown in churches using video projection (and it’s hard to imagine otherwise if it’s sent to every parish), we can at a minimum say he doesn’t feel any ban on video projection in church remains in effect.

At that point, it’s a matter of taste. The bishop can weigh in if he chooses, but in his absence pastors can use their best judgment.
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cothrige:
Just because something may not be forbidden doesn’t mean it is approved. There is no document that I am aware of which forbids the use of dramatic lighting, in the style of Who Wants to be a Millionaire, which swings down onto the altar during the consecration, but I doubt many people would want to see this…Having an electric light in a church is not an invitation to stage lighting effects or other such innovations.
Well, now you’ve moved the goalposts to what people want, rather than what is permitted. I would want to see it - just once, so I could tut-tut them and bear witness to extreme bad taste, just as many do with the clown masses.

I disagree with you that permission to use electric lights for simple illumination in church is not an invitation to other innovations. One could use backlighting behind the tabernacle or wall crucifix, to emphasize their importance. One could use recessed lighting in the ceiling to illuminate the church without having to look at ugly light bulbs. One could use lights to illuminate the stained glass during liturgies that take place at night. I’m not sure when or if electric lighting was formally permitted by the church, but once it was permitted, it was anything goes.

I often hear the argument that unless something is specifically permitted at mass or in liturgy, it is prohibited. This is an example of why that is a wrong-headed approach. Prudence, reverence, and good taste guide the use of electric lights. Where poor choices are made, the pastor or bishop can step in and correct them. Same goes for video projection.
 
Dittos.

Methinks 1958 and 2011 are light years apart, pardon the pun.

As far as what “strictly forbidden” means…well, in this case it would seem to mean “widely ignored as an outdated practice”.

There will always be folks with problem with this as a “legality” i.e. just because it says so, others that have only asthetic problems with it and still others that are completely OK with it, faithful and clergy included.

As long as there’s no bouncing ball…😃 lol
 
Is there a document that details the proper use of a microphone within Mass?
  • If it’s licit to use one?
  • If it is, what is an acceptable volume?
  • When should it be turned on or off?
  • Should it be one that can be worn, or one that is hung from the ceiling?
  • Should the readers use a microphone?
  • Can the canter use a microphone?
I mean, several years ago there were no microphones, now there is. If there is a document detailing the use of microphones, how long after they were made did it take for a document on them be produced?

Or maybe the Church simply doesn’t see projectors as a Salvation issue and has other matters they want to deal with,
 
Is there a document that details the proper use of a microphone within Mass?
  • If it’s licit to use one?
  • If it is, what is an acceptable volume?
  • When should it be turned on or off?
  • Should it be one that can be worn, or one that is hung from the ceiling?
  • Should the readers use a microphone?
  • Can the canter use a microphone?
I mean, several years ago there were no microphones, now there is. If there is a document detailing the use of microphones, how long after they were made did it take for a document on them be produced?

Or maybe the Church simply doesn’t see projectors as a Salvation issue and has other matters they want to deal with,
The only mention of a microphone in the GIRM is in P 306:
In addition, microphones that may be needed to amplify the priest’s voice should be arranged discreetly.

But this not referring to the usage of microphones, but rather how they are to be arranged at the offertory (discreetly).
 
The only mention of a microphone in the GIRM is in P 306:
In addition, microphones that may be needed to amplify the priest’s voice should be arranged discreetly.

But this not referring to the usage of microphones, but rather how they are to be arranged at the offertory (discreetly).
So there’s nothing about readers or cantors having microphones?
 
So there’s nothing about readers or cantors having microphones?
Not in the GIRM. I think most of your questions can be answered with common sense.
  • If it’s licit to use one?
    Yes, see that spot in the GIRM. It also alludes to the fact that they might have been used before, and at the offertory, they should be discreet.
  • If it is, what is an acceptable volume?
    How could one regulate this with a document? Use common sense. If you are at a senior center, it might be louder than it would need to be otherwise.
  • When should it be turned on or off?
    When you are talking, have it on. Otherwise, it doesn’t really matter, as long as it isn’t distracting.
 
Not in the GIRM. I think most of your questions can be answered with common sense.
  • If it’s licit to use one?
    Yes, see that spot in the GIRM. It also alludes to the fact that they might have been used before, and at the offertory, they should be discreet.
  • If it is, what is an acceptable volume?
    How could one regulate this with a document? Use common sense. If you are at a senior center, it might be louder than it would need to be otherwise.
  • When should it be turned on or off?
    When you are talking, have it on. Otherwise, it doesn’t really matter, as long as it isn’t distracting.
Of course these can be answered with common sense. But in my travels I have come to understand that common sense isn’t very common.

We have people complaining that words to hymns are being placed upon a projector and are using a document which was written when a video projector wasn’t even invented yet. I was curious if there was a document with explicitly mentioned microphones and their use, because if there isn’t then the same people would decry microphones as a modern invention unsuited for Mass.

The Mass is no less valid or licit while using a projector or a microphone. We’re not going to go to Hell over it.

Oh, and if it’s not in the GIRM then it really shouldn’t be used by readers and cantors. Right?
 
Of course these can be answered with common sense. But in my travels I have come to understand that common sense isn’t very common.

We have people complaining that words to hymns are being placed upon a projector and are using a document which was written when a video projector wasn’t even invented yet. I was curious if there was a document with explicitly mentioned microphones and their use, because if there isn’t then the same people would decry microphones as a modern invention unsuited for Mass.
There is on major difference between projectors and microphones that everyone is missing:
  • Microphones amplifiy what is already there. Assuming they work well, they are “transparent”. To someone who hasn’t seen mics before it appears as if the priest simply has a loud voice (Well not exactly, but you get what I mean).
  • Projectors shine giant words and/or images onto a screen near the sanctuary. Far from transparent. It is completely different.
Doesn’t anyone see or understand this?!?!?!
 
There is on major difference between projectors and microphones that everyone is missing:
  • Microphones amplifiy what is already there. Assuming they work well, they are “transparent”. To someone who hasn’t seen mics before it appears as if the priest simply has a loud voice (Well not exactly, but you get what I mean).
  • Projectors shine giant words and/or images onto a screen near the sanctuary. Far from transparent. It is completely different.
Doesn’t anyone see or understand this?!?!?!
Microphones can be non-transparent in a hurry due to technical problems and user interface problems. What then?

What’s the difference between a book in the pew that can be shared by one or two people versus a book on the wall that can be shared by all?
 
There is on major difference between projectors and microphones that everyone is missing:
  • Microphones amplifiy what is already there. Assuming they work well, they are “transparent”. To someone who hasn’t seen mics before it appears as if the priest simply has a loud voice (Well not exactly, but you get what I mean).
  • Projectors shine giant words and/or images onto a screen near the sanctuary. Far from transparent. It is completely different.
Doesn’t anyone see or understand this?!?!?!
What about projectors that, for example, show a close-up of a baby being baptized? Or a child receiving their first communion? Is there a difference between projectors showing those things and a projector projecting hymn lyrics? Is it a matter of having projectors or not, or what they are projecting and in what asthetic manner they are projecting it?
 
Microphones can be non-transparent in a hurry due to technical problems and user interface problems. What then?
What then? Then they are non-transparent.
It’s obviously distracting, just like most malfunctions or mistakes. That should be avoided, but at least around here, it rarely happens, so it’s a non issue in my book.
What’s the difference between a book in the pew that can be shared by one or two people versus a book on the wall that can be shared by all?
The difference is that the giant “book” is on the wall, and a distraction from the Mass. Anyways, if you don’t want a book, you don’t pick one up. If you don’t want the projector, you…
 
I see you point. However, if a bishop intends his message to be shown in churches using video projection (and it’s hard to imagine otherwise if it’s sent to every parish), we can at a minimum say he doesn’t feel any ban on video projection in church remains in effect.
Yes, I would say you are likely right in this. However, DVDs are not generally played via “video projection” and screens. Most use TV sets wheeled out just for the playing of the video which are then removed. I have never seen a video projector and screen used for playing a video in a church, though I suppose it may be possible. Additionally, such videos are generally played after the closing prayers of the Mass and just before the final blessing at that moment most places insert announcements. They are not used during the actual liturgical celebration such as lyric projectors are. Priests have always been understood to have some freedom to make insertions at the end of Mass by way of announcements and other things relevant to parish life, and it is during these moments that such messages are usually presented. I really don’t see any connection at all between such DVD messages from a Cardinal and usage of projectors during Mass.
Well, now you’ve moved the goalposts to what people want, rather than what is permitted.
That wasn’t quite my intention, but rather meant to suggest that the Church never intended such a thing. I wasn’t trying to appeal to popular opinion, but I did choose an unfortunate set of words.
I’m not sure when or if electric lighting was formally permitted by the church, but once it was permitted, it was anything goes.
I disagree. Lighting, whether it was electric, torch or candle, has a historic purpose in worship. The limits of such purpose may even be defined explicitly somewhere, though I have no idea. However, even if they aren’t, we know what the purposes of lighting are in a church and have from the beginning, and the Church has certainly never given approval to dramatic lighting during the consecration. That would be a gross innovation which oversteps the role and purpose of lighting.

This is what I was getting at with this example. Things in liturgy have a purpose and we cannot presume that new technology simply allows us to create new purposes. Innovation in the liturgy should be avoided as a general principle. Even if nothing is said in any official documents regarding the use of lights, for instance, the Church has still clearly defined the liturgy itself and its proper celebration. We have 2,000 years of tradition and many, many teachings on it. That is why we don’t have to know that having a disco ball in a church is not allowed, even though it is not forbidden. It is not allowed because we know what a church is and what it is for, and we know what a Mass is and what it is for. The question that must be asked is how projectors fit in with that and whether they are appropriately liturgical. I have serious doubts, and my experience has been decidedly negative in that regard.
I often hear the argument that unless something is specifically permitted at mass or in liturgy, it is prohibited. This is an example of why that is a wrong-headed approach. Prudence, reverence, and good taste guide the use of electric lights. Where poor choices are made, the pastor or bishop can step in and correct them. Same goes for video projection.
I would probably agree with this, but I would incline to suggest that the real problem is that most people believe that if something is not forbidden it is permitted rather than the reverse. In fifteen years I don’t believe I have ever seen even one entirely licit Mass. Innovation abounds. People get used to one innovation and so the next seems less obtrusive and problematic. Churches don’t consider what liturgy really is and what the goal is and so they inevitably end up putting on a show. It is sad and unfortunate, but even otherwise beneficial possibilities, i.e. projected song lyrics, become dangerous in the hands of people so used to innovation and so inconsiderate of liturgical goals. Ultimately, I think it is wise to remember that a Mass celebrated only in ways explicitly approved by the Church would always be entirely licit, solemn and proper. The reverse offers no such guarantees of success.
 
What then? Then they are non-transparent.
It’s obviously distracting, just like most malfunctions or mistakes. That should be avoided, but at least around here, it rarely happens, so it’s a non issue in my book.
Say that to someone’s ear drums. Sound cannot be seen, but that doesn’t make it transparent. I’ll go a step further and add that vocal quality of the Priest himself could be an issue. What if his voice is annoying? Now it’s amplified annoyance!
The difference is that the giant “book” is on the wall, and a distraction from the Mass. Anyways, if you don’t want a book, you don’t pick one up. If you don’t want the projector, you…
I’ve got ADHD mate, everything distracts me. Especially missals! Or even better, then there’s pencils in the pews! OR BIBLES! OR PENS AND BIBLES AND MISSALS TOGETHER!

Seriously though, I have ADHD and everything distracts me (I should be working right now!). I am not alone with this. So do we get rid of everything that would cause a distraction (in my case that would mean getting rid of everything).

If you don’t like the projector, close your eyes or read the hymnal.

If you don’t like the sounds around the Church you…
 
The only mention of a microphone in the GIRM is in P 306:
In addition, microphones that may be needed to amplify the priest’s voice should be arranged discreetly.

But this not referring to the usage of microphones, but rather how they are to be arranged at the offertory (discreetly).
I think this above is a perfect guide to any such technological innovation. The key word, liturgically speaking, is ‘discreet.’ Surely, if microphones should be discreet then so should any other technology meant to aid worshipers during the Mass. The question then becomes how can such a thing as projected song lyrics be made discreet? Most problematic is, in my mind, the screen. These things are ugly as sin and present a massive eyesore in the sanctuary even if they don’t cover other things improperly. Perhaps if a church were designed with the intent of using such technology and therefore didn’t have a screen, but instead used an open space on a wall . . . I don’t know, maybe. However, is it possible even then for gigantic projected words in the sanctuary of a church to be ‘discreet?’ It seems very doubtful.
 
I think this above is a perfect guide to any such technological innovation. The key word, liturgically speaking, is ‘discreet.’ Surely, if microphones should be discreet then so should any other technology meant to aid worshipers during the Mass. The question then becomes how can such a thing as projected song lyrics be made discreet? Most problematic is, in my mind, the screen. These things are ugly as sin and present a massive eyesore in the sanctuary even if they don’t cover other things improperly. Perhaps if a church were designed with the intent of using such technology and therefore didn’t have a screen, but instead used an open space on a wall . . . I don’t know, maybe. However, is it possible even then for gigantic projected words in the sanctuary of a church to be ‘discreet?’ It seems very doubtful.
Exactly the point I’ve been trying to make. It’s not discreet. Giant words projected on the wall is not discreet.
 
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