P
PetraG
Guest
I don’t know what lead you to believe that Archbishop Sample would not agree? He never said that music written for Protestant worship could not be appropriate for the Mass. That topic doesn’t even come up in his entire letter, as far as I know. The wrong-headed idea that singing at Mass belongs only to hymns and not to the Ordinary of the Mass is covered, but as far as I know he did not exclude any music based on having its origin with a composer or lyricist not in full communion with the Church. I don’t know why he would. It’s irrelevant.I can’t imagine a more appropriate song for Lent then the Negro Spiritual “Were you there”?
As an example: the piece we all know as Ave Maria was written by Franz Schubert as Ellen’s Third Song, D. 839, Op. 52, No. 6 (Liederzyklus vom Fräulein vom See). It was not originally written to be performed in a church, but was one of a set of songs inspired by Walter Scott’s poem The Lady of the Lake. lt is a song in which the female part raises a prayer, and so the composer gave it an aesthetic very much suited to prayer, rather than making it sound like “entertainment.” The song Schubert wrote was a prayer in German to the Blessed Virgin by a fictional character; the original lyrics were not actually the Latin Hail Mary. That “secular” origin doesn’t mean it is not liturgically appropriate to sing the Latin Hail Mary to that music in church.
Likewise, other music written for a secular setting or as devotional songs to be performed outside of Mass could be sufficiently prayerful in their aesthetic to be suitable for Mass. The Archbishop’s point was that it is not words alone that make a piece suitable for the Mass, not that the origin of every melody used at Mass must have been written specifically for the Mass and only for the Mass in order to be suitable for the Mass. He did not say the latter.
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