Another interesting term–sacro-pop. Sigh. Where do you get these?
Usually musicians who are playing one of the contemporary Catholic hymns (that are in the hymnals that are approved by the bishops) will go to the piano instead of using the organ. Most of these hymns were written for piano (or guitar) and sound better played on the proper instruments.
There are various techniques that organists can use to play contemporary hymns on the organ, but these are too advanced for me. I wouldn’t even dream of trying.
Frankly, I think when an organ sounds “bad,” it is due to a lack of skill on the part of the organist. And frankly, this comment worries me. I just started learning the organ a year ago, and I’m working on the service exam and hope to get to a point where I can play for congregational singing. But I know that I will not sound as “good” as the regular organist, and I will sound just plain awful compared to the skilled organist that is my teacher.
So should I just never play so that I won’t torture fellow Christians with my “badness?”
My point is–be careful about criticizing organists. There aren’t very many of them, and if you offend one, you may end up with piano and guitar for the rest of your sojourn at that particular parish. Yes, we should probably all develop a much thicker skin, but I can tell you right now that if I try to accompany singing on the organ, and someone tells me afterward that I sounded “bad,” I would probably cry for an hour and it would take a crew of kind people to talk me into ever playing again. (If my TEACHER told me I sounded bad, I would respect him and listen to his good advice to help me sound better.)