M
Moses613
Guest
Kenneth Kitchen is probably the most famous scholar of ancient history arguing for a historical Exodus.
I think that’s the difference, too, between myth and legend. A myth is a tale that is not meant to be believed in literally, such as the myths of the Greek gods and the labors of Hercules. Legend is a story that has been built up on the basis of a historical event, something that happened, or may have happened, in an identifiable period, such as the Trojan War or the reign of King Arthur.“Myth” to the general public symbolizes fantasy or tall tales.
“Narrative” would be portraying a historical figure in a certain way to fit a certain agenda.
The page says:William G. Dever ‘What Remains of the House That Albright Built?,’ in George Ernest Wright, Frank Moore Cross, Edward Fay Campbell, Floyd Vivian Filson (eds.) The Biblical Archaeologist, American Schools of Oriental Research, Scholars Press, Vol. 56, No 1, 2 March 1993 pp.25-35, p.33: ‘the overwhelming scholarly consensus today is that Moses is a mythical figure.’
The story of his discovery picks up a familiar motif in ancient Near Eastern mythological accounts of the ruler who rises from humble origins: Thus Sargon of Akkad’s Akkadian account of his origins runs;
My mother, the high priestess, conceived; in secret she bore me
She set me in a basket of rushes, with bitumen she sealed my lid
She cast me into the river which rose over me.[35]
The tradition of Moses as a lawgiver and culture hero of the Israelites may go back to the 7th-century BCE sources of the Deuteronomist, which might conserve earlier traditions. Kenneth Kitchen, described as a distinguished but lonely voice among British Egyptologists on the subject,[36] argues that there is an historic core behind the Exodus, with Egyptian corvée labour exacted from Hebrews during the imperialist control exercised by the Egyptian Empire over Canaan from the time of the Thutmosides down to the revolt against Merneptah and Rameses III.[37] William Albright believed in the essential historicity of the biblical tales of Moses and the Exodus, accepting however that the core narrative had been overlaid by legendary accretions.[38] Biblical minimalists such as Philip R. Davies and Niels Peter Lemche regard all biblical books, and the stories of an Exodus, united monarchy, exile and return as fictions composed by a social elite in Yehud in the Persian period or even later, the purpose being to legitimize a return to indigenous roots.[39]