I really dont like going to mass that has contemperary stile music. Will this be adressed in the new mass?
“From time to time regulations have been issued governing the use of instruments and condemning existing abuses. In 1728 Benedict XII rebuked a community of Benedictine nuns in Milan for using other instruments than the organ during high Mass and Vespers. He also forbade the Franciscans to use any other instrument than the organ in their conventual churches. Benedict XIV in his encyclical “Annus qui nunc vertentem” (19 February, 1749) tolerates only the organ, stringed instruments, and bassoons. Kettle-drums, horns, trombones, oboes, flutes, pianos, and mandolins are prohibited. In the “Regolamento” of 1884, flutes, trombones, and kettle-drums are permitted on account of the improved manner in which they are now used as compared with former times. In the name of Gregory XVI, the Cardinal-Vicar of Rome, Patrizi, prohibited (1842) the use of instruments in the Roman churches, with the exception of a few to be used in a becoming manner in accompanying the singing, and then only after permission had been secured from the proper authority. This order was renewed in 1856 by the same cardinal in the name of Pius IX. Pius X, in his “Motu proprio” on church music (22 November, 1903) in paragraph IV, says, “Although the music proper to the Church is purely vocal music, music with the accompaniment of the organ is also permitted. In some special cases, within due limits and with the proper regards other instruments may be allowed, but never without the special license of the ordinary, according to the prescription of the ‘Cæremoniale Episcoporum’. As the chant should always have the first place, the organ or instruments should merely sustain and never suppress it. It is not permitted to have the chant preceded by long preludes, or to have it interrupted with intermezzo pieces”, etc. Among those who have recently written, within the prescribed limits, works for voices and instruments for liturgical, are, I. Mitterer, G.J.E. Stehle, M. Brosig, Max Filke, George Zeller, L. Bonvin, S.J., C. Greith, F.X. Witt, P. Griesbacher, J.G. Meuerer, and J. Rheinberger. The present trend is, however, decidedly away from the instrumental idea and back to the purely vocal style. And it is recognized, and in many places acted upon, that the new version of the liturgical chant, proposed to the Catholic world by Pius X, gains its full beauty and effectiveness only when sung without instrumental accompaniment of any kind.”
newadvent.org/cathen/10657a.htm