T
Tybourne
Guest
Villains in the Vatican
From Foreign Office memo writers to prescient novelists, the pope and Catholicism have become the evil force of choice
The weekend’s leaked Foreign Office memo means that catholic clergy and Vatican officials will continue to find that newspapers make for painful reading. And for the next few years they should probably be nervous of the bookshop: the scandal over the protection of paedophile priests will inspire a lot of volumes. Indeed, long before this horrible saga of abuse and denial claimed international headlines, it had already spawned a significant literature. The writers of popular fiction stand revealed as preachers and prophets.
Three of the most powerful fictional franchises of the last decade are Dan Brown’s trilogy about Harvard cryptologist Robert Langdon; Philip Pullman’s His Dark Materials and JK Rowling’s Harry Potter septet. And, oddly, all three forest-clearing phenomena are explicitly or implicitly opposed to the Roman Catholic church.
In Brown’s Angels and Demons and The Da Vinci Code, Langdon tackles baddies in the Vatican. And, although many readers were unaware of Pullman’s dogmatic under-structure until he began to spell it out in Dawkinsesque interviews, the Magisterium, the evil empire in his best-known trio, took its name from a historical term for Catholicism.
JK Rowling’s conflict with the bishops is more tangential. In creating a fantasy around a necromantic academy, she was not intentionally going for Rome, but Pope Benedict went for her. And, as a result of this, three of the most read authors at the start of the 21st century found themselves in opposition to the pope – a cultural position that, amid the scandals of clerical pederasty, looks strikingly prescient ’
From Foreign Office memo writers to prescient novelists, the pope and Catholicism have become the evil force of choice
The weekend’s leaked Foreign Office memo means that catholic clergy and Vatican officials will continue to find that newspapers make for painful reading. And for the next few years they should probably be nervous of the bookshop: the scandal over the protection of paedophile priests will inspire a lot of volumes. Indeed, long before this horrible saga of abuse and denial claimed international headlines, it had already spawned a significant literature. The writers of popular fiction stand revealed as preachers and prophets.
Three of the most powerful fictional franchises of the last decade are Dan Brown’s trilogy about Harvard cryptologist Robert Langdon; Philip Pullman’s His Dark Materials and JK Rowling’s Harry Potter septet. And, oddly, all three forest-clearing phenomena are explicitly or implicitly opposed to the Roman Catholic church.
In Brown’s Angels and Demons and The Da Vinci Code, Langdon tackles baddies in the Vatican. And, although many readers were unaware of Pullman’s dogmatic under-structure until he began to spell it out in Dawkinsesque interviews, the Magisterium, the evil empire in his best-known trio, took its name from a historical term for Catholicism.
JK Rowling’s conflict with the bishops is more tangential. In creating a fantasy around a necromantic academy, she was not intentionally going for Rome, but Pope Benedict went for her. And, as a result of this, three of the most read authors at the start of the 21st century found themselves in opposition to the pope – a cultural position that, amid the scandals of clerical pederasty, looks strikingly prescient ’