B
benedictgal
Guest
However, not all of the music at these Teen Masses passes muster, according to Musicam Sacram, Pope John Paul’s Chirograph on Sacred Music and Sacramentum Caritatis.Boldface mine–funny, I don’t get this impression at all from the music at our parish’s Life Teen Mass. In fact, it is this music more than any other that causes me to recall with great remorse and grief the terrible death of our Lord on the cross, and I am moved to tears.
It’s all personal preference! There is no such thing as innately “holy” music. Case in Point: at work (microbiology lab), we sing a ditty set to the tune of Handel’s Hallelujah Chorus, surely some of the best music ever written–but we substitute the word “Gonorrhea” for “Hallelujah.” Bang–there goes the “sacredness” of the melody!
Also, how many Protestant mega-Church celebrations have you attended? There is a huge difference between the music at Life Teen Masses, and the music at a Protestant megachurch.
Finally, Life Teen Masses and the music settings and hymns done at these Masses have the approval of the local Bishops. Those who say that the music is somehow lacking at LifeTeen are implying that the Bishop is missing something. I frankly don’t have the gall to make such a claim against an apostle of the Lord Jesus.
For the 2005 Synod on the Eucharist, the Bishops were asked by the Holy See to answer a survey wherein they listed some of the “shadows” (bad things) that plagued the Mass. One such shadow was highlighted by a great deal of prelates:
This issue was certainly addressed by the Fathers of the Synod on the Eucharist. This resulted in its inclusion in Sacramentum Caritas, which was written by Pope Benedict XVI.In other responses some lamented the poor quality of translations of liturgical texts and many musical texts in current languages, maintaining that they lacked beauty and were sometimes theologically unclear, thereby contributing to a weakening of Church teaching and to a misunderstanding of prayer. A*** few responses made particular mention of music and singing at Youth Masses. In this regard, it is important to avoid musical forms which, because of their profane use, are not conducive to prayer. Some responses note a certain eagerness in composing new songs, to the point of almost yielding to a consumer mentality, showing little concern for the quality of the music and text, and easily overlooking the artistic patrimony which has been theologically and musically effective in the Church’s liturgy.***
Furthermore, just because these Protestant Praise and Worship songs appear in books printed by OCP doesn’t necessarily mean that they have the ecclesial stamp of approval. OCP, the main purveyor and promoter of music used at these teen Masses, does not have any ecclesial authority. Many of the songs this publishing house spews out tend to run contrary to Catholic teaching. One in particular, Danos Un Corazon (formerly, Hombres Nuevos) is a thinly veiled anthem on liberation theology. Others emphasize the community (horizontal) more than the adoration and worshp of God (vertical).
You can’t take these songs at face value. They must be measured against the documents that the Holy See has issued.