K
KenEOTE
Guest
Obviously you did not know that Jaca created Art Theory and that all Critics go to him to make sure that they are told what they should consider Art.Really? Truly great art isn’t subjective? And that’s why so many people (learned critics among them) absolutely HATED, with a passion, in their day, the Impressionists and would rather have chewed off their right arms than called their works great art by any set of criteria whatsoever? At exactly the same time as others, who surely knew and were judging, according to your logic, by the same ‘objective’ standard, lauded them from the start?
Heck, there are a lot of people out there who still don’t think much of Picasso, or at least the majority of his works. May very well be some art critics among them for all I know. Certainly those who think little of the artistic merit of his work can’t possibly all be doing so from a position of ignorance of this ‘objective’ standard you allude to.
And please, can someone tell all the people and art critics of Australia who’ve been squabbling over Jackson Pollock’s work ever since our National Gallery bought his Blue Poles for a substantial sum about 35 years ago - do the ‘objective’ criteria prove his work to be great or crud? And pray tell, where can we find a list and explanation of these ‘objective’ criteria, just so we know what they are for future reference?
What about Duchamp’s Pissoir (which is literally just a white enamel urinal)? Andy Warhol’s images of Campbell Soup cans? That Christo artist who has a penchant for wrapping Central Park in fabric?