R
Ridgerunner
Guest
I don’t think the message of the psalm is quite the same as in the song. But whatever.The words “Gift of Finest Wheat” come from psalm 80(81). Used for the Introit on Trinity Sunday:
“Cibavit eos, ex adipe frumenti, alleluia et de petra melle saturavit eos, alleluia, alleluia, alleluia”, translated in a modern translation (New revised standard version, Catholic edition) to: “I would feed you with the finest of the wheat, and with honey from the rock I would satisfy you.” (not including the alleluias). Also in the Saint Gall antiphonary (9th Century). I can’t speak about the rest of the hymn (haven’t seen the words) but clearly the author was inspired by the palms which of course form the core of the Propers for the mass.
One can quibble about the translation. One can quibble about the rest of the lyrics. One can quibble about the melody. But the psalm verse itself is timeless.
My complaint was with the melody. What I can’t understand is why the hymnal publishers (who I guess are paid by the various dioceses) arrested in about 1984 or so. There was obviously a huge number of hymns written in the 1970s and early 1980s. Some are singable and good. Some are of indifferent quality. Some are really awful. Why, I wonder, has nobody written anything new, and why do we preserve the 1970s/1980s archive in the churches? I would think there would be some vault somewhere where they could be stored under “music/folk-like/church/English/1970s-1980s”. Perhaps one out of 100 or so could be retained in hymnals, selected by people (not church employees over the age of 60) who really are musical experts.