N
niceatheist
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Tolkien deeply disliked allegory (and said so in the Forward of the Second Edition of LotR). His mythological cosmography is certainly Christian in form, and he viewed his mythology as fundamentally Christian. What the Ainulindale, the Silmarillion, the Akallabêth, and the Hobbit and the Lord of the Rings were were a sort of mythological account of creation and the first ages of the world. They were not allegory, but rather invention to sit in some unspecified epoch in our world’s history.
Indeed, in the last revisions of the Silmarillion he did in the mid-1960s, he enlarges the account of the origin of Men (as opposed to the other sentient races; Elves and Dwarves), and makes as plain reference as he ever did of The Fall, with the first Men being turned from Eru Illuvatar (God) by the intervention of Melkor (who was essentially Satan). That’s not allegorical allusion, but pretty much the Genesis account with names switched (he more wisely didn’t make it that explicit in earlier versions).
I find Lewis’s Narnia a bit more hackneyed, in part because it is allegorical, and in part because it does not have the internal consistency Tolkien struggled his adult life to impose on his mythos.
Indeed, in the last revisions of the Silmarillion he did in the mid-1960s, he enlarges the account of the origin of Men (as opposed to the other sentient races; Elves and Dwarves), and makes as plain reference as he ever did of The Fall, with the first Men being turned from Eru Illuvatar (God) by the intervention of Melkor (who was essentially Satan). That’s not allegorical allusion, but pretty much the Genesis account with names switched (he more wisely didn’t make it that explicit in earlier versions).
I find Lewis’s Narnia a bit more hackneyed, in part because it is allegorical, and in part because it does not have the internal consistency Tolkien struggled his adult life to impose on his mythos.