If I might chime in with a different perspective, sometimes we get so caught up in extracting teachings out of the Bible that we forget that part of what God inspired is a literary element as well. I’d say that a lot of Christians might feel that it’s an insult to Scripture to “bring it down” to a literary level — but who ever said art was useless? Surely not a Catholic teaching! Sacramentalism, blah blah blah. So, anyways, sometimes – as we all instinctively know – the meaning is carried in the form and style of a text. Is “Why did you have to be born Romeo? Please deny your family name in order to be with me” as meaningful as “Romeo, O Romeo — wherefore art thou Romeo? Deny thy father and refuse thy name!” So, for example, you’ll find that when Paul speaks of divisions in the Body of Christ in his first letter to the Corinthians, in the Greek and in literary feature-conscious translations the exhortation is couched in the political rhetoric of the day — “I’m for Paul! I’m for Apollos!” and so on. Or did you know that the OT is loaded with puns? Or that Eve actually cuts Satan off mid-sentence at the tree? Or that Psalm 18 actually portrays the Lord in a similar fashion to a pagan God (riding on a cherub), even hijacking one of his titles — a title which would read as archaic in the original? All these little things add up to a greater understanding of what God’s trying to say in the books. Without some grasp of these literary features you can’t be completely sure what’s intended to be conveyed. It’s like trying to discern someone’s tone of voice from an internet post that’s also been translated.
Now, if you want a translation of the Bible’s books that takes these into consideration, try either Robert Alter’s OT translations or Richmond Lattimore’s NT.