Nobody paid the people the brothers Grim “stole” from. They didn’t steal anything anyway, they wrote the old tales down and therefore provided a service to others.
I’m using the lingo.

Of course they did not steal. You steal if you remove something. Copying is not stealing, although many people think it is.
Maybe those peasants should be compensated, but we can’t do that anymore, because all of them are dead.
Their descendants are not dead. You don’t believe in righting wrongs? And you don’t believe in inheritance laws or the principle of inheritance?
They can’t innovate any more, and they can’t use any money we could give them. I guess we could give money to their descendants, but who are we going to get the money from, and how do we know who wrote the tale in the first place (and therefore who we should give the money to)? It’s not a very practical option.
Their descendants can innovate. Their country or community can benefit with the additional revenue. The people who stole from them continue to benefit from these works. These people should be allowed to continue to do that, but they should pay.
Practically issues can be solved. This is not impossible. One can use scholarly research, archaeology, history etc.
I think a better option would be to return the stories to the state they were in before the Brothers Grim copied down particular versions. Ie, not let Disney or anybody else hold the stories captive, but let everybody pass around and change the new works just like the old ones.
Then Disney should give back all the profits from Snow White etc? Or do they still get to keep these?
But original ideas don’t exist. Many of the fairy tales that Disney “ripped off” were created over a huge span of time by many, many different storytellers. Whoever created the original tale probably created something totally different that bears almost no resemblance to the modern Disney version. The tale came to life and took shape through multiple retellings. It doesn’t belong to any one person; all of the storytellers worked together over decades or centuries to make the tale something worthwhile. So yeah, retelling a tale is hard and important work. But it’s not so important that the tale then becomes yours alone, instead of everybody’s.
Sure. But then either we apply that to everything or we don’t apply it at all. What we’re doing now is saying “idea x is original, you get 70 years to profit from it” (you also market yourself well and have mouse everyone knows); “idea y is old and boring and quite common. It’s not easy to determine where it originated although we can look at how Disney (and others) sourced these ideas and how they took advantage of their folk popularity” etc. We’re applying this arbitrarily based on some sort of subjective criteria. Criteria which the people with power/vested interest insist on using.
It’s definitely unfair, and I think we should go back a system that is more like the way things were before, when storytelling was a much more communal activity. Disney shouldn’t be able to hold copyrights over stories that are seventy years old in their modern incarnation and 100’s of years old as folk tales.
Well Disney is just one example. This is an international issue. Of course, I’m happy to let companies have 1000 years if they wish. If people or moral philosphers decide a business should profit for 1,000 years from an idea by governmental guarantee - OK. But then extend that to everyone else and also extend that to works this business is basing its’ business on.
I think a short period of protection would be good, like I said, especially since it’s so much easier to make copies these days. The bard in 1100 was performing a service that took skill, spreading things around the only way people could. Disney is also performing a service by making movies and tie-in stuff like the theme parks, and I wouldn’t want to see that stuff go away because it stopped being profitable.
If Disney can’t sell Snow White, Aladdin, Beauty and the Beast etc. on DVD anymore because of copies, which I doubt would cut their sales entirely, then they can sell other merchandise. You can’t copy a Snow White Doll. That is you can copy it in a Chinese factory but it won’t be the holy one blessed by the Disney CEO and with pixie dust all over it. Likewise a ride from the company which drew Mickey Mouse first? Of course fans of MM will go on that, rather than some copy.
I don’t know about you, but I’d rather go to a genuine Miyazaki theme park than a Chinese copy. I’d rather get a genuine autographed poster with Rie Kugimiya’s signature than one signed by a nameless fan or otaku.

Obviously such things would continue to sell, but the demand is not enforced artificially. Rie’s talent and hard work do pay off and lead to her popularity. She can peddle her autographed pictures of Iori Minase on Ebay.
