E
Et_Cetera
Guest
This is ridiculous drivel for 13-year-old girls.
I’m female also, haven’t read the books either and don’t intend to. I’d seen a lot of hype about the movies at a cross stitch designer’s site I visit and didn’t know what all the hoopla was about. I saw the first movie at my Cousin’s on Thanksgiving Day and thought it was one of the worst movies I’d ever seen! The characters are scruffy and unkempt, there was not one memorable or intelligent line in the dialogue, the “hero” had lipstick on and a weird hairdo, and the story was boring and nightmarish! Can’t see what anyone sees in Edward either!I am about the only female I know who hasn’t read them.
I refuse. What a waste of time. I have much better things to do.
(That’s not to say the movies aren’t…eh, okay… My friend works at the movies so we go for free, I would never pay for them. Honestly we had a better time talking about the good themes of the movies/books, as in abstinence and opposing abortion, than we did watching the movie.)
Erm, I don’t like the books either but if you’re going to follow that line of thinking, you might as well condemn Beauty and the Beast.There’s nothing wholesome or healthy in the supposed “romance” between a young woman and a vampire, one of the undead! Have we gone so far in our quest for sex/romance that we have to look for it in such unholy alliances? IMHO what we need is a good exorcism!
Human and angel romances are either wrong or horribly inaccurate; humans and elves are in Tolkien the same species (he says as much in one of the Letters), and in most cases, so are humans and wizards/witches.Erm, I don’t like the books either but if you’re going to follow that line of thinking, you might as well condemn Beauty and the Beast.
I see nothing wrong with romances between vampires and humans any more than I see in romances between humans and elves, humans and angels, humans and wizards/witches etc.
It’s how fan girl writers like Meyer word it out that turn me off. XP
I haven't read the Twilight books--I've read commentaries and synopses, and half-watched the first movie--but from everything I've seen and read, the first book is a bit of fluff with some disturbing subtexts. After that, when Bella decides that vampirism is to be preferred over ordinary life--even among characters who believe in eternal life--well, then I think it starts getting problematic.
The problem is even the modern day idea of fictional angels can be described with the same words. Thus, either you condemn the all works that have depicted angels (some which date back to the time of the Renaissance) or maybe be more open-minded on what an angel can be in an author’s imaginary world.Human and angel romances are either wrong or horribly inaccurate;
The thing I love about good vampires is that they make perfect anti-heroes for the very reasons you have stated. They are a forever cursed, lonely race who struggle with both the power and the hunger. It’s pretty much the same situation with the mutants in X-Men. Such protagonists are not the oh-so-perfect knights in shining armor that alienate those who are more angst-ridden. They are something that real suffering people can relate to.The problem with making vampirism into a good thing is that it takes something that is a very powerful symbol of evil–a mockery of the promise of the Resurrection and a horrifying image of what immortality without God would be like–and at the least vitiates it, while at the worst making that kind of parasitic, sterile and hopeless immortality look positive. “Good vampires” can be done well, but ‘good vampirism’ strikes me as deeply problematic.
That was meant somewhat tongue in cheek. Angels are very often handled badly in fiction; sometimes the work’s good despite that (It’s a Wonderful Life), sometimes not. An angelic/human romance is almost certainly going to depend on an incorrect understanding of angelology, but that doesn’t necessarily invalidate the fiction. It can be problematic, but I’d imagine that most likely to be a case of the angelology being too close to accurate and it becomes a theme of forsaking Heaven and God for the sake of human love (I believe the film Michael that was done about a decade and a half back might have approached it this way).The problem is even the modern day idea of fictional angels can be described with the same words. Thus, either you condemn the all works that have depicted angels (some which date back to the time of the Renaissance) or maybe be more open-minded on what an angel can be in an author’s imaginary world.
True–the problem I have with all I’ve heard about Twilight, as I said above, is not ‘good vampires’ as ‘vampirism as good’.The thing I love about good vampires is that they make perfect anti-heroes for the very reasons you have stated. They are a forever cursed, lonely race who struggle with both the power and the hunger. It’s pretty much the same situation with the mutants in X-Men. Such protagonists are not the oh-so-perfect knights in shining armor that alienate those who are more angst-ridden. They are something that real suffering people can relate to.
Let’s take a look at the Gospels for some guidance. Jesus himself told stories where well known figures of evil (unjust judge, thief in the night) were used to represent God Himself. In a different way, lepers and tax collectors were also symbols of irredeemably wicked people, whom Jesus did not hesitate to deal with as if they could be good. Our modern sensibilities would say that the lepers are suffering from something over which they had no control, and therefore should not be condemned as evil. Edward Cullen makes the point repeatedly that none of them chose to be what they are, the only choice they have is how to deal with it.The problem with making vampirism into a good thing is that it takes something that is a very powerful symbol of evil–a mockery of the promise of the Resurrection and a horrifying image of what immortality without God would be like–and at the least vitiates it, while at the worst making that kind of parasitic, sterile and hopeless immortality look positive. “Good vampires” can be done well, but ‘good vampirism’ strikes me as deeply problematic.
As a Jane Austen fan (and someone who has studied her works reasonably extensively) I’ve got to protest.After Wickham left town with Lydia, “All Meryton seemed striving to blacken the man who, but three months before, had been almost an angel of light. He was declared to be in debt to every tradesman in the place, and his intrigues all honoured with the title of seduction, had been extended into every tradesman’s family.” (emphasis mine) If it were just as you said, that would be seduction, which means that at least at some level the girl consented. When his intrigues were not actually seduction, but something else for which no word could be printed in those days, what does that leave? Which we hesitate less to name these days?
I thought that the difference here was the class difference: Georgiana and Lydia were gentleman’s daughters, and had someone to protect them. The tradesmen’s daughters were more vulnerable. However, I am willing to concede to a scholar’s superior knowledge of the works of the author.As a Jane Austen fan (and someone who has studied her works reasonably extensively) I’ve got to protest.
The clue to this passage lies in the first sentence you quoted - they were “striving to blacken” Wickham - in other words exaggerating all his bad qualities out of all proportion, so as to make him out to be much worse than he really was.
He wasn’t literally in debt to every tradesman in the place, for example, and possibly wasn’t in debt to any of them, he is only mentioned genuinely as having gambling debts, not other kinds of debt such as to tradesmen.
So he didn’t literally seduce - or rape - everyone’s daughters. The word ‘honour’ is ironically used in this passage, she’s saying in reality his behaviour was less serious than seduction, and that was why it didn’t deserve the ‘honour’ of being called by that name. In fact we see what he DID do - in Elizabeth’s case, Mary King’s and Georgiana’s and Lydia’s - is either extreme flirtation, engagement or attempted or actual elopement. Never a hint of rape.
She’s certainly not saying that he did anything worse than seduction. It’s ironic exaggeration. In the same manner, for example, she calls it a ‘truth universally acknowledged’ that single rich men want wives, when in reality it’s no such thing, it’s only something a few ignorant people believe.
Certainly Lydia would’ve been a prime target for rape if he’d been capable of it - he had, as everyone pointed out, no hope of anything more advantageous from her than a bit of fun, and he certainly wasn’t in love with her. And yet he didn’t rape her.
Hehe, if I do have superior knowledge (which I don’t necessarily claim) it would be more because I love them and have reread them many times than anything else.I thought that the difference here was the class difference: Georgiana and Lydia were gentleman’s daughters, and had someone to protect them. The tradesmen’s daughters were more vulnerable. However, I am willing to concede to a scholar’s superior knowledge of the works of the author.
Well that’s pretty much my point. First, you were referring to the belief in that human-angel hybrids are big bad giants. Then again, that could all be just part of the allegory and in no way should be a rule as to how authors create their own cosmologies. Second, your problem stems from how close to the actual theological definition of angel you are sticking to. Angel-human romances need not necessarily have themes of an angel forsaking God and Heaven for human love. Most often it’s just between some overly-powered humanoid with wings and some teenage Chosen One or something. (At least that’s as far as I’ve seen.)That was meant somewhat tongue in cheek. Angels are very often handled badly in fiction; sometimes the work’s good despite that (It’s a Wonderful Life), sometimes not. An angelic/human romance is almost certainly going to depend on an incorrect understanding of angelology, but that doesn’t necessarily invalidate the fiction. It can be problematic, but I’d imagine that most likely to be a case of the angelology being too close to accurate and it becomes a theme of forsaking Heaven and God for the sake of human love (I believe the film Michael that was done about a decade and a half back might have approached it this way).
(The ‘wrong’ bit was because I didn’t want to completely disavow some patristic exegeses of Genesis 6:4 and the question of the Nephilim.)
I haven’t read the books, but it sounds as though you should read them, and pray about them.My daughter is reading the books by Stephanie Meyers. Does any one know anything about these? Are the okay for teens to be reading?
If your children read this book, I don’t think you have any control over how much they like it. I would recommend reading the books, or talking with someone who is familiar with them, and using the books to emphasize points you want to make with your children. For instance, you say that Bella is not a good role model. Certainly she is not a candidate for canonization, but there is plenty of good in her. If your daughter is interested in Bella, show her the good qualities in Bella. For instance, Bella very much loves her parents, and always tries to make decisions based on what is good for them. I am not saying she always gets it right- she’s just a teenager- but she keeps trying, and does not give up on them, even though they don’t seem to be very good parents. Bella offers to take charge of all the kitchen duties for her Dad. She always does her homework. She took advanced Biology and calculus even though she seems to be more interested in literature than the sciences. She reads classics for pleasure. She recognizes Debussy when she hears it. She has the chance to be a very popular girl, and play off one infatuated boy against another, and she doesn’t. She NEVER asks Edward to spend money on her, even though is seems to be very wealthy, and when she is thinking about Jacob vs. Edward the fact that Edward is rich never enters into her thinking.Twilight is okay, but not great. If your kid is fourteen/fifteen or above, then it’s okay for her to read it. The problem with this book, though, is how someone reacts to it later on. Most of the girls who read this book become very obsessed about Edward Cullen or Jacob Black. Some even admire the main character, which I think is wrong, since Bella is not a good role model, except for the fact that she waited to have sex until marriage. So be very careful if your child reads it. It’s a good read, but make sure your kid doesn’t go too far with it.