Gee, perhaps the parishioners enjoyed participating in the Mass singing the hymns they knew and enjoyed, verses sitting silently listening to a poorly run choir singing sloppy Gregorian Chant ?
Don’t judge the parishioners, it’s their parish, not the priest who is there to serve, not be served.
Jim
Gee, perhaps the priest was trying to get the parish on board with the teachings of Vatican II by returning Gregorian chant to pride of place in the sacred liturgy. I think it’s quite obvious that in America, many parishes utilize
no chant at all in the liturgy. If this was the case, then adding Gregorian chant assuredly wasn’t a bad thing, but followed the true spirit of the Council’s teaching. But of course, this is speculation, as we don’t know if Fr. Reihl totally replaced all hymns with chant, or only some; the latter option being totally legitimate. People can sit silently during hymns in the vernacular just as much as they do for chant in Latin.
Don’t judge the priest, it’s his parish to lead and he can legitimately ask his flock to adhere to the teachings and directives of Councils.
Gregorian chant, to be done well requires a music director with the expertise, which few people in parishes have.
Perhaps this is why the music director was let go by Fr. Reihl? If more parishes heeded the directives to have Gregorian chant and vernacular hymnody side by side, then the music directors hired would have experience with chant.
I’ve attended Divine Liturgy at a Ruthenian Catholic parish, and the entire congregation chants in the prescribed polyphonic tones. And I do mean everybody. They have the proper materials and can read music. While their chant and the chant of the Latin Rite are different, there are similarities. At first, I didn’t follow the musical notation, but I was able to learn the chant settings by going to Divine Liturgy, especially Vesperal Divine Liturgies during Lent, semi-often. Eventually, I looked at the musical notation, but by that time I had already gotten it for the most part. In a reasonable period of time, I’m now able to chant many of their responses by heart without looking at the musical notation.
If you teach people by giving them books with musical notation, it’s really not that hard. Indeed, as you said, “the Mass shouldn’t require a lot of explanation to understand and participate in.” But you overestimate how hard it is to learn certain responses in chant. My own Ordinary Form parish chants the Sanctus and Agnus Dei in Latin during Advent and Lent. We’re told to go to the correct page in our hymnals, we follow the musical notation, and chant. We get the same amount of people participating as we do with vernacular hymns… not many. This has been typical at every parish I’ve been to in my lifetime. People don’t want to sing because they don’t think they are good singers/chanters.
Had the Mass he attended been the Tridentine in Latin Mass, he probably would’ve left not being able to understand what was taking place.
Just wanted to say that that is a pretty big assumption you’ve made there. Countless peoples have been converted, in part, by the beauty of the Tridentine Mass, as they have in the last few decades by the Ordinary Form of the Mass. For the Tridentine Mass, just look at the martyrs of Japan, for instance.