Now examine the assertions of our good interlocutor:
in shooting someone the effect … I think … is direct because the effect is contained within the definition of the object.
Circular.
Clearly the innocent person is killed by the trolley, the trolley was sent down the track when the switch was thrown, and throwing the switch with knowledge of that consequence was deliberate.
Passive voice employed. Why?
Clearly what is uppermost in the actor’s mind is saving the five …
The good intention specified.
With regard to the trolley it seems the object is “switching the trolley away from the five” which is clearly legitimate and direct. If the object was “switching the trolley at the one” that would be direct and illegitimate.
The good intention is now elevated as primary and controlling of the expression of the object font. The circularity of the logic employed is striking, “The intention is good. The intention defines the object. Therefore, the object is good.”
This misunderstanding of the fonts eliminates the
objectivity in the
object font. The font is now completely subjective. Morality becomes subjective.
Our good interlocutor does this by wrongly asserting that the object font is dependent on the intention font. The error has its origin in wrongly asserting that the “proximate end” and the "end in view” are synonymous. In Veritas Splendor (VS) p.78, JPII teaches about the moral object font explaining that intrinsically evil acts do exist and are evil independent of good intentions. In his condemnation of Consequentialism, he writes:
[The] object is the proximate end of a deliberate decision which determines the act of willing on the part of the acting person (VS p.78).
Going against the tenor of the entire paragraph explaining that intrinsically evil acts are
independent of an agent’s intention, our good interlocutor misinterprets “proximate end” to be the
agent’s intention or the “end in view”(finis operantis) rather than the immediate effects of the act itself (finis operis).
Our good interlocutor also seems to fail to draw a distinction between willed effects and an intended effect. All foreseen and
deliberated effects are necessarily willed even though only one effect may be intended.
Finally, the direct and indirect confusion is part of the diversion to mask evil in the object font. The self-evident physical cause to its immediate effect is ignored as being self-evident. Never tiring in asking that the self-evident be defined, he instead argues that the direct and indirect adjectives are properly applied to the agent’s intention. The good effect if intended regardless of the physics involved becomes the
direct effect and the unintended evil effect becomes the
indirect effect.
Is there any act that cannot be justified in such a circular system? I cannot think of one.