"…miracles are not subject to science." pg. 52 of
The Medieval Shroud 2
Many artifacts of Jesus’ crucifixion are purportedly extant: nails, the Sudarium face cloth, the Crown of Thorns, His garments, various parts of the true cross, the title board of the cross, and. of course, the seemingly blood stained linen cloth that wrapped His corpse. And therein lies the rub. Corpses do not leave images of themselves on their shrouds. But this particular corpse did just that, and throughout the ages it has been obvious to its various observers, that this image was not a painting. That fact alone has been enough to convince the Edessians, the Byzantines, the Knights Templar, and the Popes of the Catholic Church that the image was miraculous. All that as a result of the science of direct observation.
But in 1898 something astounding happened. Secundo Pia photographed the Shroud and discovered that it contained long hidden information. This finding shocked the rationalist and naturalist world. Pia was accused of witchcraft and of doctoring his photos. Prominent Catholic theologians Devaliers and Thurston joined the bandwagon, and even today we can see Catholic prelates using such terms as “the myth of authenticity” and “devotional pseudo-science” in their references to Shroud research. Devaliers and Thurston found a French photographer who testified that Pia’s photo-negatives of the Shroud were a result of a “photographic accident.” This idea was, of course, buried in 1932 when the Shroud was again photographed. But those naturalists and rationalists who insist on denying the obvious haven’t given up. Now, instead of a “photographic accident” we find the postulations of “optical illusion,” “pareidolia,” “unconscious perception,” and “elephant in the room” (referring to the C-14 evidence.)
“Elephant in the room” is a cliche meaning that something very obviously important is being ignored. But that is hardly the case when it comes to the Shroud’s carbon fourteen data. In 2015 Antonacci published
TEST THE SHROUD in which a very substantial portion is devoted to discussing that data. Nuclear engineer Robert Rucker runs an entire website.
shroudresearch.net, in which the Shroud’s carbon fourteen evidence forms a major discussion point. In 2017 Tristan Casabianca forced the British Museum to release the Shroud’s 1988 raw C-14 data, made a statistical analysis, and concluded that the British Museum’s conclusions were “unreliable.”
I could go on. The Shroud of Turin is by far the most scientifically researched relic in the world. Its divine image is a miracle which is “subject to science.”