Yes, excellent example. Even if O’Brien were right in principle,
Harry Potter would get off scot-free, as dragons in it are anything but tame - despite Hagrid’s naivete. The symbolism is always very traditional - snakes, serpents, etc. are always associated with the bad guys.
Yes… I believe sources should be honest and accurate.
Ah, right. Can’t disagree with you there!
Anything that resembles it is automatically considered evil in HP. Necromancy, seeking immortality, splitting your soul, it’s all evil in the books.
Exactly! Anything “magical” in the books falls into three categories:
(a) stuff that is structurally, aesthetically, and categorically totally made up and fictional in every way
(b) fake and foolhardy, like Trelawney’s divination nonsense
(c) portrayed as spiritually destructive or dangerous - i.e. necromancy. In Rowling’s fantasy, necromancy is frowned upon by the good guys and regarded as dangerous and foolhardy, just as much as it is in Lewis’
Prince Caspian.
Pat, I don’t think this is comparable, and the reason is the mode of expression.
Fairy tales, fables, myths, and legends all have at least one thing in common: a remove of the reader from the events of the story. ‘A Galaxy Far, Far, Away’ sort of feel.
The appeal of Harry Potter novels is the ‘Bildungsroman,’ where the reader sympathizes with and identifies with the character. You feel Potter’s achievements as your own, feel his specialness as your own, &c. This is a very compelling genre, and the fact that it deals with the occult and a weirdly twisted Christ figure narrative doesn’t help its case.
The fact that it is a bildungsroman does not mean there is no sense of separation from reality.
Harry Potter does in fact achieve that “remove of the reader from the events of the story” in two principal ways:
(a) the wizarding world is, legally and culturally, kept entirely distinct from normal human (“Muggle”) society, and the series presents this as a norm whose good remains unquestioned.
(b) No ordinary humans can do any magic whatsoever in Rowling’s books. We’re intrinsically incapable of it; “witches” and “wizards” are essentially a subspecies of the human race. There is no more possibility for the reader to want to use Harry’s powers than there would be for a reader of
Lord of the Rings to want to use Gandalf’s powers, or the elves’ abilities.
As such, there’s nothing spiritually troubling there to corrupt the exquisitely crafted Paschal Mystery-based symbolism of the series, so it is indeed morally and spiritually wholesome.