These last three posts have nothing to do with how we come to know things. That has been pretty well settled by Aristotle’s mature thought and his five elements have nothing to do with it. Nor does the difference between the conflicting way you and the plumber viewed the torch.
Linus2nd
**Metaphysics, Book I, Part 1 **
"ALL men by nature desire to
know. An indication of this is the delight we take in our senses; for even apart from their usefulness they are loved for themselves; and above all others the sense of sight. For not only with a view to action, but even when we are not going to do anything, we prefer seeing (one might say) to everything else. The reason is that this, most of all the senses, makes us
know and brings to light many differences between things.
"By nature animals are born with the faculty of sensation, and from sensation memory is produced in some of them, though not in others. And therefore the former are more intelligent and apt at learning than those which cannot remember; those which are incapable of hearing sounds are intelligent though they cannot be taught, e.g. the bee, and any other race of animals that may be like it; and those which besides memory have this sense of hearing can be taught.
"The animals other than man live by appearances and memories, and have but little of connected
experience; but the human race lives also by
art and
reasonings. Now from memory
experience is produced in men; for the several memories of the same thing produce finally the capacity for a single
experience. And
experience seems pretty much like
science and
art, but really
science and
art come to men through
experience; for ‘
experience made
art’, as Polus says, ‘but inexperience luck.’ Now
art arises when from many notions gained by
experience one universal judgement about a class of objects is produced. For to have a judgement that when Callias was ill of this disease this did him good, and similarly in the case of Socrates and in many individual cases, is a matter of
experience; but to judge that it has done good to all persons of a certain constitution, marked off in one class, when they were ill of this disease, e.g. to phlegmatic or bilious people when burning with fevers-this is a matter of
art.
"With a view to action
experience seems in no respect inferior to
art, and men of
experience succeed even better than those who have
theory without
experience. (The reason is that
experience is
knowledge of individuals,
art of universals, and actions and productions are all concerned with the individual; for the physician does not cure man, except in an incidental way, but Callias or Socrates or some other called by some such individual name, who happens to be a man. If, then, a man has the
theory without the
experience, and recognizes the universal but does not
know the individual included in this, he will often fail to cure; for it is the individual that is to be cured.) But yet we think that
knowledge and
understanding belong to
art rather than to
experience, and we suppose artists to be
wiser than men of
experience (which implies that
Wisdom depends in all cases rather on
knowledge); and this because the former
know the cause, but the latter do not. For men of
experience know that the thing is so, but do not
know why, while the others
know the ‘why’ and the cause. Hence we think also that the masterworkers in each craft are more honourable and
know in a truer sense and are
wiser than the manual workers, because they
know the causes of the things that are done (we think the manual workers are like certain lifeless things which act indeed, but act without
knowing what they do, as fire burns,-but while the lifeless things perform each of their functions by a natural tendency, the laborers perform them through habit); thus we view them as being
wiser not in virtue of being able to act, but of having the
theory for themselves and
knowing the causes. And in general it is a sign of the man who
knows and of the man who does not
know, that the former can teach, and therefore we think
art more truly
knowledge than
experience is; for artists can teach, and men of mere
experience cannot.
"Again, we do not regard any of the senses as
Wisdom; yet surely these give the most authoritative
knowledge of particulars. But they do not tell us the ‘why’ of anything-e.g. why fire is hot; they only say that it is hot.
"At first he who invented any
art whatever that went beyond the common perceptions of man was naturally admired by men, not only because there was something useful in the inventions, but because he was thought
wise and superior to the rest. But as more
arts were invented, and some were directed to the necessities of life, others to recreation, the inventors of the latter were naturally always regarded as
wiser than the inventors of the former, because their branches of
knowledge did not aim at utility. Hence when all such inventions were already established, the
sciences which do not aim at giving pleasure or at the necessities of life were discovered, and first in the places where men first began to have leisure. This is why the mathematical
arts were founded in Egypt; for there the priestly caste was allowed to be at leisure.
Continues…