Now for my instance with Islam is I plan on visiting a mosque sometime. Since Muslims pray at the mosque. I was wondering if it’s idolatrous to pray there, which led to the God and Allah question.
It has happened occasionally that Catholic leaders have done so, if my memory serves me. You can find video and news articles of Pope Emeritus Benedict praying in the Blue Mosque in Istanbul, for instance. This would be absolutely verboten for the Orthodox, but maybe this is one way in which we differ. Of course, that particular mosque was built on the site of the former Byzantine palace, in front of the Hagia Sofia (on purpose, mind you).
I will be honest I really like Islamic culture, especially the music.
What is there of “Islamic” music specifically that you like? Because I will tell you that in truth the Arab maqam system around which the modes of so-called Islamic chant is drawn is in perfect correspondence with the earlier Syriac modes, which are recorded many hundreds of years earlier (before Islam, even). I mean that quite literally – you hear them all here, with their Arabic names:
Syriac Orthodox Maqam, and their correspondence to the Syriac names is given
here. In truth, Islam invented very little musically aside from its famous prohibitions on this or that instrument (which did lead to some very interesting vocal music, but in that it was also patterned on preexisting folk music, so it’s “Islamic” I suppose in the same way that the aforementioned modal system is, i.e., they adapted it and now claim it as “theirs”), and its artists flourished best when such prohibitions were not heeded. And, indeed, to look at the modern Arab-identifying states, you’d be hard-pressed to make a case for “Islamic” music being of much value at all, as the social pressures of Islam were (and in some places still are) such that in past eras the most prominent singers were mostly Jews and Christians. Looking at the birth of the Iraqi Radio Ensemble in 1932, for instance, we may note that the the entire troupe, with the exception of its percussionist and vocalist, was composed of Jews. To this day, probably the best remembered Iraqi singer is a Jew: Nazem El Ghazali (and his wife, Salima Pasha, isn’t too shabby either). Elsewhere, in North Africa, from basically the dawn of recordings in those states (except for Egypt, which had its own Jewish musical dynasty dating back to the dawn of the century or before in the Mourad family, though the daughter Leila unfortunately apparently apostasized and became a Muslim in response to accusations of spying for Israel…grumble), the musical scene was very much dominated by Jews, many of whom are remembered fondly by all the nationals of those countries: Raoul Journo (the finest voice in North African music ever, in my estimation), Cheikh El Afrit, Cheikh Raymond, Cheikh Zouzou, Lili Boniche, and a little while later Haim Botbol, Salim Hilali, Doukha, and others.
On the Christian side, we have Fairuz. We win, case closed. (Okay, fine…and also Marcel Khalife, Issa Deeb, Ghassan Saliba, Pascale Sakr, the al-Roumi family, Wadih el-Safi and his sister Hana, Tony Hanna, Raja Badr, Youssef Azar, Youssef Matar, Rim Banna, Zaki Nassif, etc. etc. etc. etc.)
So unless you’re looking at specifically Islamic folk music forms (like mawlids or something; I should hope you would not want to commemorate the birthday of Muhammad), what you’re probably attracted to has Christian and Jewish antecedents, because again, Islam invented very little in the way of music.
Take away the bells and the visuals, and what would you suspect this is? It isn’t Islamic, I can tell you that.
Neither is this (though you can find many a “Sufi” recording that borrows the drone/ison and follows a very similar pattern, and Muslims are all too happy to take credit for such soothing, ‘spiritual’ music…hmm…)
And of course, whatever Islam claims of Arabness (that it’s mostly foisted upon non-Arabs and then gotten mad at them for; see, for instance, the recent court cases in Malaysia about the word “Allah”…but anywayyyy…) is found in Christianity, too, as it was before Muhammad was ever a glimmer in his daddy’s eye:
Again, if this didn’t say “Christian” in the title, would you think it was?
Not to put too fine a point on it, but it probably also bears mentioning what can happen when a Christian living in even the most tolerant of Muslim-majority societies thinks to emphasize the supposed unity or peacefulness between the two religions in his native land by pointing to their supposed common heritage:
He gets sued for blasphemy not once but twice by the highest Sunni authority in the land.
It really is strange to me when people talk about how attracted they are to “Islamic” musical culture…
what music, and
what culture? (And I am someone who listens to a lot of Arabic music…exactly 0% of which can be considered a credit to Islam, even when it comes from ~100% Islamic societies…this is the fault of the sometimes schizophrenic attitude of Islam toward music and singing, though; there certainly are many wonderful musicians and singers who are Muslims, but one thing you will notice is that when they “get religious”, they usually retreat from music, as happened to Shadia and others of that generation (1950s-1960s), as well as Islamic converts like Cat Stevens/Yusuf Islam (who I suppose now makes “halal” vocal-only music/propaganda for Islam, but whatever; he’s lost with or without a guitar).