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snowlake
Guest
Thanks for your response! I appreciate corrections. However, I DO have some things to say in defense of my analysis, but have to go to a doctor’s appt right now. Later!
Yes.For what it’s worth, I heard a big announcement on one of the Chicago stations that Aurora University will be finishing up a very large pipe organ pretty soon so that it can train more organists. That’s in your diocese, isn’t it?
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Thanks for the kind thoughts. The pastor responded to it with stern graciousness, like a good father. I think he and the diocese did everything right, even if the public and the press and the local arts community were harshly critical.snowlake;6811796:
The only “protest” I have ever seen from musicians in the Catholic Church was when the gay music minister was fired. A few Sundays later, they and others in the Church wore rainbows to protest his firing and the teachings of the Catholic Church against homosexuality. This was followed by a public denunciation of the parish and the diocese and a rejection of the Catholic Church.
I’m very sorry this happened. I didn’t know the full extent of it. How did your Pastor respond to all of it?
The Latin /Greek Kyrie/Sanctus/Agnus Dei is printed in just about every hymnal I’ve seen.
It is so very simple and easy. It’s not any harder than anything else that is sung at church.
The people who left your church are not neede in order for it to be used.
I agree, the good musicians may not be needed, but the Music Director has to get the Latin/Greek Kyrie/Sanctus/Agnus dei started by scheduling it in the Mass and providing instruction for the cantors, and I don’t see that happening.
Yes, I have mentioned it to him and asked point-blank if we will be hearing more Latin in our parish. You see, I am not at all “anti-tradition.” I know what the documents say. I believe in obeying authorities, especially the Authority of the Catholic Church.
The answer was “no.” It was not a stubborn, prideful “no,” or the “no” of a modernist who only likes contemporary music. (He actually selects very nice traditional hymns for most of our Masses, although he does seem to like "Precious Lord, Take My Hand because it’s used often in our Masses. Even I don’t like that song much!).
His “no” was the “no” of a person who really has no idea how to implement this kind of music.
I think ?? that he has not had much experience as a Music Director; like me, he’s strictly an instrumentalist and he’s been used to having someone else do the directing. I think most of his experience has been in Protestant churches (like me) where the directing is done by a director, not the accompanist.
The gig of “Music Director” seems to be a bit of a stretch for him, and I think that he’s kind of overwhelmed at times. But hey, at least he’s there and he’s trying to do a good job and he’s a pretty organist. I won’t criticize him.
A piano player (me) has no authority whatsoever to change the music in the Mass. It’s the job of the Music Director.
Oops–sorry! DeKalb IS in our diocese! We have a huge diocese!Yes.
I hope they will move here. Our houses are a lot cheaper than Chicagoland!
NIU is not in our diocese, but it’s the closest large university. I majored in music there for a while, and now I call upon the NIU professors for my classical music competition. They have a beautiful pipe organ. I don’t know how many organ majors they have.
If you were to approach me and ask me to consider using the organ, I would say that I don’t know how to play it.Cat: I forgot to say that I don’t even approach anyone at Mass about the music after the very few times that I complimented everyone on their gifts/talents and asked them (VERY
nicely) if they would ever consider using the organ, etc, The response was so rude that
I’ve never tried it again. I don’t let my personal ideas on the songs used affect those around me… but it wouldn’t be a bad thing to do (if done nicely) because what I have to say is clearlry encouraged by the Church. The only murky areas have to do w/ the contemporary songs! Therefore, I should at least be given equal time.
I was the one who suggested a keyboard on organ setting. I too am a professional pianist,and was quite unaware that the “rolling” touch that you describe would also be necessary on a keyboard. I’m totally ignorant about organ technique. My response to those who ask if I would play organ at Mass is the same as yours: I don’t know how! I also refuse to play the piano because of it’s secular sound, although I know that you disagree w. that. I respect your position, and wait for clarification from the Bishops.If you were to approach me and ask me to consider using the organ, I would say that I don’t know how to play it.
I know that some people assume that a pianist can just play the organ, too, but no, that’s not true at all. Other than the keyboard, the instruments have very little in common.
In fact, someone on this thread earlier suggested using the electronic keyboard on an organ setting. That would not work for a pianist, because the organ is attacked with a “rolling” motion of the fingers and hand. I’m sorry if I’m using an incorrect terminology, but when my piano teacher gave me a little tutorial on the organ (she played pipe organ, and YES, I wish I had learned back then!), she showed me the “rolling” of the fingers and hand to get the “smooth” sound of the organ. Pianists don’t do this. We get our legato with a different technique. So to me, a pianist playing a keyboard on “organ” setting sounds like that person at the mall demonstrating the fun organ. Yucko.
In case you’re wondering, I would not be able to learn to play the pipe organ now because of the problems with my feet. I’m not even sure I could climb up onto an organ bench, and I would probably have some real problems climbing down! It’s too bad. I would like to learn to play, and I could probably convince my parish to donate the practice time. Oh, well. If I hear of any children who are taking lessons, I will definitely contribute financially. What a great investment!
It seems to me that the bishops HAVE given clarification–they allow piano in the Masses in their dioceses.I was the one who suggested a keyboard on organ setting. I too am a professional pianist,and was quite unaware that the “rolling” touch that you describe would also be necessary on a keyboard. I’m totally ignorant about organ technique. My response to those who ask if I would play organ at Mass is the same as yours: I don’t know how! I also refuse to play the piano because of it’s secular sound, although I know that you disagree w. that. I respect your position, and wait for clarification from the Bishops.
The keyboards that I’ve had experience with(I’m thinking of a Rogers kbrd and a Clavinova) have had a number of Organ sounds that were quite good(in my uneducated opinion). Maybe we should investigate this further and see what the results would be. Of course it would be nothing like a real organ w/ a real organist, but it might be better than none at all, and a somewhat-good substitute when an organ is being fixed, or when the organist is absent.
I don’t think the use of piano is “unclean”, but I do think it’s inappropriate. This is based on the entire history of its use. It’s especially inappropriate (in my opinion) when used withIt seems to me that the bishops HAVE given clarification–they allow piano in the Masses in their dioceses.
I think that it is the laypeople who are being more Catholic than the bishops who are incorrectly interpreting the various documents and using them to criticize something that has been declared “clean” by the apostles.
I vote. Thanks for this post Canto! This is the type of thing I’ve been referring to.City of God is another example.firstthings.com/blogs/firstthoughts/2010/07/06/are-these-the-ten-worst-hymns-of-all-time/#more-18062
Listen to We Remember by Marty Haugen
The song is announced and then it starts with keys, drums etc, sounding like some 70s or 80s lite pop song, and you can hear in the background the priest saying “the body of Christ.”
or
Personally
ProVobis, I am asking you to please not speak to me as though I were a silly child.Cat, your overdramatization isn’t necessary. You’re bishop isn’t on trial here. He’s a very good man; in fact, I have even written him to thank him for the Latin Masses he helped set up in your diocese. And I’ve spent quite some time in Rockford as my parents lived there.
I think we’re all aware of all the Baldwins and Steinways and Yamahas in church these days. We have no doubt the bishops aren’t planning to sell them off yet. But we’re discussing whether the Abba-inspired type of music played on them is the direction the Vatican wants to go forward with. I for one hope not, but I’m not going to walk out of a Mass because the pianist has overplayed “On Eagle’s Wings” on it, though I’ve been tempted.
In terms of organ manual technique, you can get an appreciation for it by playing something like a 4pt hymn on the piano without the sustain pedal. Lots of finger substitutions in order to have sustained melodic lines. Without the pedal, you’ll likely have to cheat and clip one of the middle voices short in order to make any shifts happen smoothly, but there’s plenty of examples of that in piano literature too. Of course, there isn’t any dynamic control at the finger level.I was the one who suggested a keyboard on organ setting. I too am a professional pianist,and was quite unaware that the “rolling” touch that you describe would also be necessary on a keyboard. I’m totally ignorant about organ technique. My response to those who ask if I would play organ at Mass is the same as yours: I don’t know how! I also refuse to play the piano because of it’s secular sound, although I know that you disagree w. that. I respect your position, and wait for clarification from the Bishops.
The keyboards that I’ve had experience with(I’m thinking of a Rogers kbrd and a Clavinova) have had a number of Organ sounds that were quite good(in my uneducated opinion). Maybe we should investigate this further and see what the results would be. Of course it would be nothing like a real organ w/ a real organist, but it might be better than none at all, and a somewhat-good substitute when an organ is being fixed, or when the organist is absent.
I wish there was a Steinway at my church. . .Cat, your overdramatization isn’t necessary. You’re bishop isn’t on trial here. He’s a very good man; in fact, I have even written him to thank him for the Latin Masses he helped set up in your diocese. And I’ve spent quite some time in Rockford as my parents lived there.
I think we’re all aware of all the Baldwins and Steinways and Yamahas in church these days. We have no doubt the bishops aren’t planning to sell them off yet. But we’re discussing whether the Abba-inspired type of music played on them is the direction the Vatican wants to go forward with. I for one hope not, but I’m not going to walk out of a Mass because the pianist has overplayed “On Eagle’s Wings” on it, though I’ve been tempted.
The electric piano at my parish does have that strange organ feature. It really lacks the majesty that the old richety organ at my dad’s parish has. In fact, the electric piano’s organ setting sounds more like the tract from “A White Shade of Pale” than anything remotely sacred.In terms of organ manual technique, you can get an appreciation for it by playing something like a 4pt hymn on the piano without the sustain pedal. Lots of finger substitutions in order to have sustained melodic lines. Without the pedal, you’ll likely have to cheat and clip one of the middle voices short in order to make any shifts happen smoothly, but there’s plenty of examples of that in piano literature too. Of course, there isn’t any dynamic control at the finger level.
In my experience, the digital keyboards have good sounds for rock or jazz organ, but their church organ sounds are simply atrocious. I’m familiar with a new church that doesn’t have an organ yet, and every once and a while they play the “organ” sound in an effort to be more “traditional”. Unfortunately, that attempt simply reinforces many people’s opinion of traditional: bad and boring.
I coined a little phrase to explain my views on the organ: There’s nothing quite like an organ played well; there’s also nothing quite like an organ played poorly.