L
Lost_Wanderer
Guest
Actually your posts suggest otherwise. Why do I smell oversensitivity here?You seem to be utterly unable to get it. There is no need for graphic violence or sexual suggestiveness to tell a story.
Nope. I’ve never seen more powerful depictions of Christ’s death than the ones that are most violent. The kiddie Bible cartoons that skip over the whole thing definitely don’t have this impact I assure you. I’ve watched them both.The Passion of the Christ sends a different message. However, it was very violent and I had to repeatedly turn away. I think the story could have been told in a less graphic manner and still have the impact it did.
The Passion of the Christ definitely reached that high level of impact. I remember my classmates crying while watching and no movie has ever made me more contemplative of His sacrifice.
Good point. My only gripe against the use of sex and violence is when it is done tastelessly and it doesn’t match the scenario (something I find plenty of ‘adult’ cartoons to be guilty of).It is possible to make a good movie with a strong message, without resorting to violence and sexuality, as long as the characters in the story are neither passionate nor sexual.
Exactly. I agree especially with the last part. I notice a lot of fairy tales seem to have lost their original literary value because of the butchery executed by the likes of Disney. I’m sure they’re good and all but when is it about time the grown-ups got back the originals and stop eating this candy? I don’t get why people insist we partake of the same entertainment that’s only meant for children.However, a lot of the really great stories do contain violence - David and Goliath, Joshua and the Battle of Jericho, Noah’s Ark, and even Sleeping Beauty, all contain violence as integral elements of the story. It would be difficult to portray them realistically, without showing at least some blood. Even The Chronicles of Narnia have their share of violent moments. Rapunzel contains sexuality - it’s not graphic, but it’s certainly there. The prince doesn’t climb her hair merely to have tea with her in her tower. (In the original, she becomes pregnant out of wedlock. I’ve forgotten how the modern version resolves the ending.) The moral of the story of Rapunzel is that you can’t protect your children from the world - instead, you have to teach them how to look after themselves. That moral loses its force in the candy-coated versions in which nothing bad ever happens to Rapunzel.