Question for choir directors complaining about the new Mass settings

  • Thread starter Thread starter Love_Divine
  • Start date Start date
Status
Not open for further replies.
I’ve been in parishes that use Glory and Praise along with the CBWIII but not that many. They are not locked in to publishers as parishes south of the border seem to be.
This is how it’s done at my former parish back home. They use both those hymnals, and some song the deacon composed.

I will say, I was shocked when CBWIII made an appearance at Easter while I was at a TLM.

I used to be able to tolerate the CBWIII because it at least contained some hymns, but it got put into my bad books when I discovered it contains “Gather Us In.” Traitor.😛
 
This is how it’s done at my former parish back home. They use both those hymnals, and some song the deacon composed.

I will say, I was shocked when CBWIII made an appearance at Easter while I was at a TLM.

I used to be able to tolerate the CBWIII because it at least contained some hymns, but it got put into my bad books when I discovered it contains “Gather Us In.” Traitor.😛
CBWIII is good in that it has lost some of the 60s & early70s trash but it has gender neutral language which sets my teeth on edge, not to mention that they’ve gutted some traditional hymns so that they lyrics are now unfamiliar. We have both II & III in our pews (no G&P) and go back and forth between the two. Sadly, we usually go to II for the ‘feel good’ stuff rather than the traditional stuff.
 
Also, just handing out “paper and ink” copies of Jubilate Deo aren’t a long-term solution for a parish. They would quickly degenerate, be torn, etc and have to be constantly replaced.
With all the Kindle, Ipod, Ipad, and Iphone technology, we’ll probably be going more and more paperless soon. At least with the Jubilate Deo we won’t have to worry about royalty fees and such.

Just tell them in Latin every letter (or double vowel) is pronounced, nothing is silent, and they’ll do okay.
 
anyone going to answer my question?

why do choir directors dislike the new translation.
 
With all the Kindle, Ipod, Ipad, and Iphone technology, we’ll probably be going more and more paperless soon. At least with the Jubilate Deo we won’t have to worry about royalty fees and such.
Don’t hold your breath. Copied or Kindled, JB ain’t gonna happen. Chant isn’t going to make it into the majority of parishes at all. 🤷
 
anyone going to answer my question?

why do choir directors dislike the new translation.
I’m assuming it creates more work for them, they have to learn new music, can’t use many of the older familiar settings, now they’re really forced to not use gender-neutral pronouns, the Gloria is awkward with the “We Praise you. We bless you. We adore you. We glorify you.”

I don’t know the exact reason. A lot of people just don’t like change.🤷
 
Don’t hold your breath. Copied or Kindled, JB ain’t gonna happen. Chant isn’t going to make it into the majority of parishes at all. 🤷
Not to worry, I’m too much of a realist to disagree with you. But I also know there are many alternate choices to participation with the new English translations/music or the old ones for that matter. No one should feel he or she is stuck with them.
 
Not to worry, I’m too much of a realist to disagree with you. But I also know there are many alternate choices to participation with the new English translations/music or the old ones for that matter. No one should feel he or she is stuck with them.
The Mass settings will change, but in parishes like mine we will still hear the Hit Parade of Haugen and Hass throughout the Mass (entrance, offertory, communion, recessional). In my parish, we are stuck – remove the “t” from stuck and you’ll know what I think of that. 😉

As far as I can tell it’s the same in neighboring parishes, though I don’t have too much contact with the choir directors as I do with the ones in my own. That musical culture is firmly entrenched in parishes I’ve visited and hear about all over the USA. We have eight Masses (and eight choirs), only one of which does traditional hymns – though no Gregorian chant, but the rest “perform” what can be kindly referred to as The Lion King Mass Settings. 😛

The language will change at Mass, but the music by-and-large will be what we’ve been hearing all along.
 
We have eight Masses (and eight choirs), only one of which does traditional hymns – though no Gregorian chant, but the rest “perform” what can be kindly referred to as The Lion King Mass Settings. 😛
Don’t you have Spanish or Polish or French Masses near you? Chicago alone has something like 24 different vernacular languages so those who prefer not to attend an English Mass have plenty of alternate choices. Even if you can’t understand the language, you probably will do okay understanding the Mass and their music and may even like it. There is no civil law in the U.S. that says you must only go to an English Mass. Just saying.
 
anyone going to answer my question?

why do choir directors dislike the new translation.
The OP, in a Canadian parish, asked about the Mass setting rather than the translation. I know that the 3 Mass settings being foisted on Canadians are not good and many choirs are going to have a hard time getting the assembly to sing those. The ICEL chant setting is a good option, if only they chose to use it.
 
I’m assuming it creates more work for them, they have to learn new music, can’t use many of the older familiar settings, now they’re really forced to not use gender-neutral pronouns, the Gloria is awkward with the “We Praise you. We bless you. We adore you. We glorify you.”

I don’t know the exact reason. A lot of people just don’t like change.🤷
ok well I’ll just say they need to make these changes we all have to deal with it.

Priests mostly

readers have to

Seminarians have to

The Lay Faithful have to

why should choir directors be excluded from change.
 
anyone going to answer my question?

why do choir directors dislike the new translation.
The main reason why the choir directors I know are not really happy is because the new translation music isn’t very pretty.

I have yet to hear any of it that I find pretty. It’s disjointed and the melodies are rather stilted. It sounds like someone hobbled the words of the new liturgy translation to any old notes, just to be able to put something out on paper and get it out there.

Another reason why choir directors are not thrilled is because in the Catholic Church, there are few venues to teach their parishioners anything new. Many parishes have few good cantors who can sing on pitch in a strong voice and are also comfortable teaching others.

In our parish, anytime something new is sung, the music director does the teaching right before Mass, which means that there are not very many present in the nave yet, and those who are there often don’t participate, as they are (1) praying (2) meditating on the Blessed Sacrament, or (3) dealing with small children and getting settled. IT’s very, very awkward, and IMO, disruptive, but that’s really the only option for the music director.

It’s just hard, because you can’t “teach” music during the actual liturgy of the Mass. That would be incorrect.

Also, the music directors know, with a sinking feeling, that they will receive a boatload of complaints from parishioners for the first few months and longer of the “new” translation, and this is really discouraging. Perhaps they should set up “complaint boxes” and set them next to the choir loft, and just point to these boxes whenever an angry parishioner approaches them.
 
If it’s so terrible, and everyone agrees it’s terrible, then why not just learn the old the Latin chants and use Gregorian Chant instead? Really, it makes no sense to me. Both the choir and the congregation has to learn new music anyway, and I’m sure there are some people who at the very least kinda sorta remember the Latin chants, which is more than what can be said about the new Mass settings, so why not just use Latin???:confused:
Actually, in spite of our parish’s choice to use the Mass of the Most Holy Trinity, we are also incorporating some great Latin chant into the Mass. This is our chance - hooray!
Also, it is very difficult to go back to Gregorian chant for the entire Mass without a full, trained choir. At our little cathedral in farming country, it ain’t gonna happen. 😛
So I do the best I can as Resident Musician for the church, which is paw through piles of bad music to find some good stuff for our congregation that is reverent and yet easy to sing. They are not and never will be musicians and pro singers, but I CAN say that since I have arrived (two years ago) we have gone from zero congregational participation to nearly full participation. Don’t mean to brag, but they are singing the really old hymns with zest!
Anyway we do what we can! 👍
 
The loopholes were already in place by time that came out – and in such a short time Gregorian chant had already been forgotten by the faithful. 1974!

I’m a convert and had to learn it from scratch. I could scarcely find anyone under 60 who knew anything in Jubilate Deo, except for maybe the Agnus Dei.

btw, Jubilate Deo is a wonderful resource for folks who wish to learn Gregorian chant. With just a bit of basic instruction on how to read the neumes, one can be up and singing in no time (especially since youtubers have put up chants too). Just don’t expect to sing it at Mass anytime soon.
Try high school choir directors. In our school district the standards for high school choirs include sacred music and my daughter learned most of Jubilate Deo last year in an advance choir.
 
The main reason why the choir directors I know are not really happy is because the new translation music isn’t very pretty.

I have yet to hear any of it that I find pretty. It’s disjointed and the melodies are rather stilted. It sounds like someone hobbled the words of the new liturgy translation to any old notes, just to be able to put something out on paper and get it out there.

Another reason why choir directors are not thrilled is because in the Catholic Church, there are few venues to teach their parishioners anything new. Many parishes have few good cantors who can sing on pitch in a strong voice and are also comfortable teaching others.

In our parish, anytime something new is sung, the music director does the teaching right before Mass, which means that there are not very many present in the nave yet, and those who are there often don’t participate, as they are (1) praying (2) meditating on the Blessed Sacrament, or (3) dealing with small children and getting settled. IT’s very, very awkward, and IMO, disruptive, but that’s really the only option for the music director.

It’s just hard, because you can’t “teach” music during the actual liturgy of the Mass. That would be incorrect.

Also, the music directors know, with a sinking feeling, that they will receive a boatload of complaints from parishioners for the first few months and longer of the “new” translation, and this is really discouraging. Perhaps they should set up “complaint boxes” and set them next to the choir loft, and just point to these boxes whenever an angry parishioner approaches them.
ok I see now, I’m pretty blessed to be where I am for the Mass Changes, the liturgy here is amazing and the fact that there are mostly seminarians and monks at every mass, there won’t be much of an issue for us. My home parish as well won’t have as big of an issue just because mainly the liturgy is on the high side at my old home parish. But I can think of a few parishes who will struggle through these translations, and from stories I have heard from my seminarian brothers, I can imagine there could be some serious back lash from parishioners who don’t like change.

If I were a priest which I hope to be one day, I would give my parishioners plenty of warning, I would try and schedule classes a couple weeks before in order so that the Lay faithful can be prepared for the new Mass. At Seminary we actually have one of the Bishops retired now who was apart of putting this new translation together coming to talk to us really for an entire day or weekend I think.

But most parishes aren’t blessed with that, so I think its important the priest to the best of their ability prepare their parishioner for the Change, because no matter if they like it or not, they will have to deal with these new changes.

I am very excited though, I new translation wise it will really add a lot to the Mass, and it will add a new meaning to the prayers that the priests say. It’s exciting
 
Don’t you have Spanish or Polish or French Masses near you? Chicago alone has something like 24 different vernacular languages so those who prefer not to attend an English Mass have plenty of alternate choices. Even if you can’t understand the language, you probably will do okay understanding the Mass and their music and may even like it. There is no civil law in the U.S. that says you must only go to an English Mass. Just saying.
I’ve been to Spanish-language Masses, and the music was terrible (it made me grateful for what I’ve heard in English–language Masses :D). I plan on attending an Eastern Catholic Divine Liturgy in a couple of weeks – and that is at least a 30-minute drive from my parish.

I don’t think language is the issue here. The new English translations are wonderful, but the new Mass settings (that I’ve heard) do not inspire wonder. Your mileage may vary.
 
Try high school choir directors. In our school district the standards for high school choirs include sacred music and my daughter learned most of Jubilate Deo last year in an advance choir.
We have a fairly large Catholic school in our neighboring parish. As far as I can tell, Gregorian chant isn’t part of the program (though that may have changed). The public schools can’t even do Christmas music, and I’m not sure that they would have much luck with Catholic sacred music. Plus, I don’t want to hear sacred music at a high school choir performance – I want to hear it at Mass.

But I hear what you’re saying. Grade school or high school are great places to teach children Gregorian chant.
 
Status
Not open for further replies.
Back
Top