E
Eddy
Guest
I’ve read this with interest, partly because I’ve listened to debates within the Protestant tradition which are very similar - why do we need this P&W music when we’ve such a venerable tradition already? I’ve heard older Protestants voice nearly all the concerns I’ve heard here. There’s no doubt that some of the Scottish Psalter music is just sublime - and all settings of the psalms, so no controversy over the words then. I particularly like the ‘Come, let us to the Lord our God, with contrite hearts return. Our God is gracious nor will He leave, the desolate to mourn’. However, it has its downfalls - the ‘lead me ontoeth the rock that higher is than I’ type, where the words have been twisted to make a rhyme. I think most of the Scottish Psalter would sit quite happily in a RC Mass - but isn’t used because it’s not part of the tradition.
There are, similarly some fantastic new P&W (or what I’m used to calling CCM - Contemporary Christiam Music) - ‘In Christ alone my hope is found’ has entered the common lexicon, as has the beautiful setting on ‘How Lovely is Thy Dwelling Place’. And there are the downfalls. There’s also the fairly contemporary developments of Taize worship, which I simply love.
There is the danger of CCM becoming performance - and becoming purely about experience - but the same danger exists for Gregorian and for any other form of music (plenty of people like plainchant because of how it makes them feel). I know one parish where the priest at every mass sings doggedly through four verses of an obscure hymn that none of his congregation know. It certainly isn’t glorifying God. But, since I’ve had so much occassion in the last number of years to sit though music I dislike, as well as music I love, I’ve tried to come to the point of judging the music by its fruit. Are people in deepening communion with God? If they are, then I can’t be so selfish as to only want the music that I find helpful. The church is so broad, and so long as it’s not stating doctrinal errors, then I should rejoice that we are many voices lifted to the one God.
There are, similarly some fantastic new P&W (or what I’m used to calling CCM - Contemporary Christiam Music) - ‘In Christ alone my hope is found’ has entered the common lexicon, as has the beautiful setting on ‘How Lovely is Thy Dwelling Place’. And there are the downfalls. There’s also the fairly contemporary developments of Taize worship, which I simply love.
There is the danger of CCM becoming performance - and becoming purely about experience - but the same danger exists for Gregorian and for any other form of music (plenty of people like plainchant because of how it makes them feel). I know one parish where the priest at every mass sings doggedly through four verses of an obscure hymn that none of his congregation know. It certainly isn’t glorifying God. But, since I’ve had so much occassion in the last number of years to sit though music I dislike, as well as music I love, I’ve tried to come to the point of judging the music by its fruit. Are people in deepening communion with God? If they are, then I can’t be so selfish as to only want the music that I find helpful. The church is so broad, and so long as it’s not stating doctrinal errors, then I should rejoice that we are many voices lifted to the one God.