kill051:
The Silver Chair is my favorite of the Narnian Chronicles, followed closely by The Last Battle . I am hoping against hope that they don’t screw it up.
If that means you hope they don’t feel a need to invent a teen romance between Eustace and Jill that never existed, I’m not holding my breath. (On the other hand, the character of Eustace isn’t anyone’s idea of a heartthrob.)
I will not be surprised if they decide to inject Susan into the Last Battle, considering how many people think the charge of obsession with shallow vanity against her is somehow misogynistic.
Eustace and Jill in a romance!? Heaven forfend! The very idea is distasteful!
I have never understood the charge of misogyny vis-à-vis the fate of Susan. Philip Pullman even went so far as to charge that Lewis condemned her to Hell for liking lipstick and nylons. This is utter nonsense. First of all, just because Susan is not present in the apotheosis after the final destruction of Narnia does not mean she is suffering in eternal perdition. She could as well have survived the accident and be the only living member of the Pevensie family left, having been granted more years of life in which to develop and grow, hopefully, into the Christian woman Aslan wants her to be. Secondly, I am so tired of hearing that Lewis was misogynistic. He allowed the querulous, selfish Mrs Moore to dominate his every waking hour and render his existence miserable merely because he had promised her late son he would care for her after the son’s death. And the charge of misogyny falls apart completely when one examines Lewis’ relationship with Joy Davidman. There is also the question of the strong, positive female characters in the Narnia books: Lucy, Susan(before her turning), Jill, Aravis, Caspian’s old nurse, Ramandu’s daughter, Aunt Letty…the list goes on. Admittedly, Lewis was impatient with what he saw as the sillier aspects of traditional feminine concerns in his day, such as excessive concern with appearance and status: this can be seen in many of the vignettes in his fantasy novel
The Great Divorce. But to expand this into an accusation of full-on misogyny is sophistry of the vilest sort.
Edit: I neglected to mention, in defense of Lewis against the charge of misogyny, the narratrix of
Till We Have Faces, perhaps the most vivid and fully drawn character in all his fiction. And a woman! No misogynist he, nope nope nope.