There have been some attempts at operafying rock and metal. And I donāt mean the albums commonly associated with ārock operaā like the The Who and Pink Floyd (which is really more like oratorio than opera). To be opera I think it would have to be an attempt to tell the story where staging, drama, acting and set changes would weigh as much as or more than the music. I can think of some close examples. Brian De Palmaās
Phantom of the Paradise is basically Faust in a rock setting, but that was a film so doesnāt really count. There was a disasterous attempt by Styx with
Mr. Robato, which was fully staged and scripted at one point before the booing audiences forced them to strip it down back to your basic rock concert.
In metal specifically, there was QueensrĆæcheās
Operation Mindcrime which I saw in concert and included a few operatic elementsāstill not opera, but suggesting that direction. Avantasia has
The Metal Opera, but that is still oratorio and not opera. Kamelotās two-album variation on Faust (
Epic and
The Black Halo), seems like it could be staged. My guess is they are not interested in such (thankfully, in my estimation). Which brings me back to Rhapsody of Fire. Opera is associated with bombast. And if there is going to be an actual staged metal opera in the fullest sense of the term, its going to come from one of the more bombastic power metal groups, and Rhapsody of Fire is on the top of the heap for that.
P.S. Oh yeah, before someone mentions so-called āseriousā composers, I think a true metal opera would have to come from actual metal bands. Andrew Lloyd Webber slumming with headbangers for one musical doesnāt count.