Led zeppelin!!!

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I can’t believe you guys are still going after rock music, when I already demonstrated the much more seriously damaging influence of folk music.
That is because no one is paying much attention to your sarcastic taunting. 🤷
 
That is because no one is paying much attention to your sarcastic taunting. 🤷
I am not employing sarcasm, which would be a derisive, mean-spirited form of irony, but a milder form called satire.

The bigger point, however, is that I am asking questions for which you clearly have no answer. I am really hammering one point, which is that you can’t provide objective musical criteria for identifying “bad” music, absent looking at lyrics and context.
 
Thanks Jharek… can’t access youtube at work.

Regardless Mickey, what does the musical accompaniment have to do with it? And benign? How could you consider it anything but overtly Christian???

Are you saying that if it’s a metal band then the lyrics are inconsequential and it’s bad because of the sound?
 
No. It can incline some listeners away from self-control, etc. You are speaking in false absolutes. Moreover, there is nothing wrong with being “pumped up.” If I were to go for a run, or a game of basketball with my friends, I would not want to listen to a lullaby; I would want to hear something that will get my adrenaline pumping and motivate me to keep going. Likewise for “elemental passions.” Things like anger, grief, fight-or-flight response are natural and a part of being human. Even Jesus felt these things. The problem is not appealing to passions, but allowing passions to be wholly substituted for reason. A kiss from my wife appeals to my elemental passions, but that is no reason to forbid her from kissing me.

You don’t seem to understand that your appraisal IS largely based on subjective opinion, as well as logical fallacy. Your argument is that the only way that someone could disagree with you is if he has some subversive agenda. Well, that’s not the only way that someone could disagree with you. One could also disagree with you if you’re wrong. You haven’t provided any data, self-evident or otherwise, except for personal experiences and overly broad generalizations based on your feelings. Moreover, these rather greatly conflict with my own experiences as a faithful Catholic who happens to have a massive collection of records from the 1950s-1980s.

Sam, the Neon Orange Knight
Dear Ne_Orange Knight,

Cordial greetings and a very good day. Thankyou again for your response to my recent post.

Whilst there is nothing untoward about entering into the spirit of a rousing or inspiring peice of good classical music, that is totally distinct from music that makes its appeal to those elemental passions, by which I mean those carnal, sensual and worldly parts of our fallen nature which are all too easily stimulated by that debased sensory material, rock and pop, as Mickey’s post above evinces most clearly. It is of paramount improtance that we distinguish between things which essentially differ, otherwise we are likely to be off beam and make fallacious comparisons.

It is a fact that since its inception rock music has been associated with puerile youth rebellion and moral permissiveness. Its suggestive lyrics, repudiation of restraint and its very warped celebration of freedom and sexuality have made it very appealing to youth; it strikes a chord (no pun intended) and therefore resonates with how the young feel at this difficult age. Even those within the pro-rock camp freely admit to the vulgarity of rock music. Thus, Robert Pattison perceives that the lyrics are “trite, obscene and idiotic” (*The Triumph of Vulgarity: *Rock Music in the Mirror of Romanticism). Only a very blinkered man would deny the connectivity between rock and pop and blatant sexual immorality. That rock and pop have strong sexual connotations is something which is firmly established and is so obvious that even a blind man on a galloping horse could see it.

Rock and pop music have much to do with aggression, sexual promiscuity and disorder. the music iteself is obscene and disturbing, aside form any lyrics, and the emotions evoked by such music can hardly be deemed virtuous, much less Christian. It is an undeniable fact that the passions (note the wrong passions) sensuality, pride, rebellion, aggression, power and downright irreverence are frequently elicited by the rythyms characteristic of this unsavoury bilge.

Rock and pop music has shown itself to be prehaps the most significant art form to emerge in the last century and has had a devasting impact upon youth culture. Moreover, its importance is far greater than musical; it is gauge of the shifts in attitude of youth towards sex, authority, taste, their contemporaries and certainly their ethics (or want of them). No other single influence has done as much to shape the standards and moral conduct (for proof refer to Mickey’s post above) of young people as rock an pop music has. It is undeniable that they are immersed in this debased music and that their philosophies of life are being formed by the deplorable lyrics.

The question of what kinds of food might and might not be taken did indeed vex the primitive Church. However, this really has nothing whatsoever to do with our present topic, dear friend. In any event, we know that those with scruples respecting meats were wrong because our Lord on one memorable occasion, abrogated the food-laws by pronouncing all kinds of foods to be ‘clean’ (see Mk. 7: 19). In other words this is not an open question or a matter of doubt. Unfortunately, our Church has not as yet pronounced specifically against rock and pop music, thus the faithful must continue to use reasoned logic and their sanctified common sense to determine whether or not it is an acceptable art form. Now when rock and pop music are weighed in the balances they are clearly found to wanting on so many counts. This being the case we are entitled to pass unfavourable judegement upon them and expose them as “unfruitful works of darkness”. Moreover, as a work of mercy and an act of love we ought to admonish others to give this culturally unwholesome sensory material a wide-berth.

Warmest good wishes,

Portrait

Pax
 
…It is an undeniable fact that the passions … sensuality, pride, rebellion, aggression, power and downright irreverence **are frequently elicited by the rythyms **characteristic of this (music)…
Portrait:

How do the rythyms in rock music elicit sensuality? And how do you know that what you perceive as “sensual” in the music isn’t really a cultural association that you have with a particular musical style? For instance, if you had never seen a tango danced, but just heard a recording of one, and we asked you to describe it, would “sensual” necessarily be on your list of adjectives to describe the music? Also, suppose counter-examples were produced to demonstrate songs using the same “sensual” rhythyms in rock in other genres that would probably not be considered so sensual?
 
Seems fairly benign. But I do not know the musical accompaniment.
Dear Mickey,

Cordial greetings.

Musical accompaniment is equally as important as the lyrics because where rock and pop music are concerned, the music is the message. Rock music is communication without words, irrespective of what lyrics are slotted into the music. In other words the lyrics only inform you as to what the music is already saying. This is owing to the fact that some art forms have been created to express certain philosophies and are so inseparably wedded to those philosophies that they convey a particular world-view. This is most definetely the case with rock and pop. Therefore, even were you to put the Magnificat or the Lord’s Prayer to a rock tune that would not sanitise the music and somehow render it all respectable. On the contrary, I would contend that that would be an act of grave impiety since the music to which those sacred words would be appended conveys its own message and that message is unwholesome and impure - “What concord has light with darkness?”.

Re. your earlier post. Yes, the term ‘Fundamentalist’ is a most distasteful term and is invariably used in pejorative sense nowadays, which is most uncharitable. The only reason I sometimes use it is for the purposes of clarity, especially on an American site like CAF, where the term is almost synonymous with ‘Evangelical’. However, not every Evangelical is a Fundamentalist, but every Fundamentalist is an Evangleical.

Jolly good posts. You are doing a sterling job, old chap.

Warmest good wishes,

Portrait

Pax
 
Possibly. The speed metal thrash stuff is nasty!
But that’s a matter of taste. I appreciate that you don’t care for the sound but you cannot judge a band based on the sound alone no more than you can judge a book by it’s cover or a person by the color of their skin. It’s all a form of prejudice and is wrong.
 
Rock and pop music have much to do with aggression, sexual promiscuity and disorder.
Research by psychologists L. Rowell Huesmann, Leonard Eron and others found that children who watched many hours of violence on television when they were in elementary school tended to also show a higher level of aggressive behavior when they became teenagers. By observing these youngsters into adulthood, Drs. Huesmann and Eron found that the ones who’d watched a lot of TV violence when they were eight years old were more likely to be arrested and prosecuted for criminal acts as adults. Interestingly, being aggressive as a child did not predict watching more violent TV as a teenager, suggesting that TV watching may more often be a cause rather than a consequence of aggressive behavior.

Violent video games are a more recent phenomenon; therefore there is less research on their effects. However, research by psychologist Craig A. Anderson and others shows that playing violent video games can increase a person’s aggressive thoughts, feelings and behavior both in laboratory settings and in actual life. In fact, a study by Dr. Anderson in 2000 suggests that violent video games may be more harmful than violent television and movies because they are interactive, very engrossing and require the player to identify with the aggressor.

Dr. Anderson and other researches are also looking into how violent music lyrics affect children and adults. In a 2003 study involving college students, Anderson found that songs with violent lyrics increased aggression related thoughts and emotions and this effect was directly related to the violent content of the lyrics. “One major conclusion from this and other research on violent entertainment media is that content matters,” says Anderson. “This message is important for all consumers, but especially for parents of children and adolescents.”

apa.org/research/action/protect.aspx
 
LOL! That’s what Jharek says too!
You find no irony in learning that the roots of “The Summons” were orginally a folk song about traipsing along the dingle side with a bonnie lassie, to say nothing of the orginal rape theme?
 
Portrait:

How do the rythyms in rock music elicit sensuality? And how do you know that what you perceive as “sensual” in the music isn’t really a cultural association that you have with a particular musical style? For instance, if you had never seen a tango danced, but just heard a recording of one, and we asked you to describe it, would “sensual” necessarily be on your list of adjectives to describe the music? Also, suppose counter-examples were produced to demonstrate songs using the same “sensual” rhythyms in rock in other genres that would probably not be considered so sensual?
Dear JHow,

Cordial greetings and nice to see you on the boards again. Hope all is well, dear friend.

Please refer to my last post to Mickey (#143) which I think wil address the issue that you raise. If you would like to elaborate further I will gladly do so, but tomorrow as I am taking my leave now.

Warmest good wishes,

Portrait

Pax
 
Research by psychologists L. Rowell Huesmann, Leonard Eron and others found that children who watched many hours of violence on television when they were in elementary school tended to also show a higher level of aggressive behavior when they became teenagers. By observing these youngsters into adulthood, Drs. Huesmann and Eron found that the ones who’d watched a lot of TV violence when they were eight years old were more likely to be arrested and prosecuted for criminal acts as adults. Interestingly, being aggressive as a child did not predict watching more violent TV as a teenager, suggesting that TV watching may more often be a cause rather than a consequence of aggressive behavior.

Violent video games are a more recent phenomenon; therefore there is less research on their effects. However, research by psychologist Craig A. Anderson and others shows that playing violent video games can increase a person’s aggressive thoughts, feelings and behavior both in laboratory settings and in actual life. In fact, a study by Dr. Anderson in 2000 suggests that violent video games may be more harmful than violent television and movies because they are interactive, very engrossing and require the player to identify with the aggressor.

Dr. Anderson and other researches are also looking into how violent music lyrics affect children and adults. In a 2003 study involving college students, Anderson found that songs with violent lyrics increased aggression related thoughts and emotions and this effect was directly related to the violent content of the lyrics. “One major conclusion from this and other research on violent entertainment media is that content matters,” says Anderson. “This message is important for all consumers, but especially for parents of children and adolescents.”

apa.org/research/action/protect.aspx
You can find a study to show anything. It’s all a matter of what the people conducting the study want to conclude.

Taken from: pbs.org/kcts/videogamerevolution/impact/myths.html
  1. The availability of video games has led to an epidemic of youth violence.
According to federal crime statistics, the rate of juvenile violent crime in the United States is at a 30-year low. Researchers find that people serving time for violent crimes typically consume less media before committing their crimes than the average person in the general population. It’s true that young offenders who have committed school shootings in America have also been game players. But young people in general are more likely to be gamers — 90 percent of boys and 40 percent of girls play. The overwhelming majority of kids who play do NOT commit antisocial acts. According to a 2001 U.S. Surgeon General’s report, the strongest risk factors for school shootings centered on mental stability and the quality of home life, not media exposure. The moral panic over violent video games is doubly harmful. It has led adult authorities to be more suspicious and hostile to many kids who already feel cut off from the system. It also misdirects energy away from eliminating the actual causes of youth violence and allows problems to continue to fester.
  1. Scientific evidence links violent game play with youth aggression.
Claims like this are based on the work of researchers who represent one relatively narrow school of research, “media effects.” This research includes some 300 studies of media violence. But most of those studies are inconclusive and many have been criticized on methodological grounds. In these studies, media images are removed from any narrative context. Subjects are asked to engage with content that they would not normally consume and may not understand. Finally, the laboratory context is radically different from the environments where games would normally be played. Most studies found a correlation, not a causal relationship, which means the research could simply show that aggressive people like aggressive entertainment. That’s why the vague term “links” is used here. If there is a consensus emerging around this research, it is that violent video games may be one risk factor - when coupled with other more immediate, real-world influences — which can contribute to anti-social behavior. But no research has found that video games are a primary factor or that violent video game play could turn an otherwise normal person into a killer.
 
On the contrary. The thrash speed stuff has been known to cause aggression (with or without lyrics).

Ever see a mosh pit? 😉
Yes I have… and that has nothing to do with the band or their sound… that’s the reaction of the individual. That’s an issue with their thinking… not the band’s sound.

But since you think you can judge something based on nothing more than one of your five senses tell me how judging a band based on their sound is any better than judging a person based ont he color of their skin.
 
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