I’m not interested in just any encyclical, though you did not reference any of these, but the present mind of the Church’s teaching and the reasons She has moved from extravagance to noble simplicity in the reform of the liturgy. It is this that so many “TLM-ers” perceive as a disruption from the past, with a failure to appreciate the underlying theology for the change.
If you look carefully at my exact words, rather than extrapolate other meanings introspectively, you would note that I said “IF”— using the manner of generalities within the minds of TLM-ers who have posted lamentations that disagree with the Church regarding aesthetics. It is misplaced focus for some.
Your “IF” was outside of the quotes and gave an implication outside of my reference, but I digress…
Let’s look at the current mind of the Church in
Sacramentum Caritatis:
SC3 (Last sentence) “Concretely, the changes which the Council called for need to be understood within the overall unity of the historical development of the rite itself,
without the introduction of artificial discontinuities.”
-This is a very common practice in the days since the Second Vatican Council. This is what we criticize, not the NO itself.
SC40 “Emphasizing the importance of the* ars celebrandi* also leads to an appreciation of the value of the
liturgical norms.”
-Two liturgical norms to
this very day are Gregorian Chant and Latin, yet these are almost non-existant is 99% of Masses today.
SC40 “The* ars celebrandi* should foster a sense of the sacred and the use of
outward signs which help to cultivate this sense, such as, for example, the harmony of the rite, the liturgical vestments, the
furnishings and the
sacred space.”
SC41 "The profound connection between beauty and the liturgy should make us attentive to every work of art placed at the service of the celebration. (122) Certainly an important element of sacred art is church architecture, (123) which should highlight the unity of the furnishings of the sanctuary, such as the altar, the crucifix, the tabernacle, the ambo and the celebrant’s chair. Here it is important to remember that the purpose of sacred architecture is to offer the Church a fitting space for the celebration of the mysteries of faith, especially the Eucharist. (124) The very nature of a Christian church is defined by the liturgy, which is an assembly of the faithful (
ecclesia) who are the living stones of the Church (cf.* 1 Pet *2:5).
This same principle holds true for sacred art in general, especially
painting and
sculpture, where religious iconography should be directed to sacramental mystagogy. A solid knowledge of the history of sacred art can be advantageous for those responsible for commissioning artists and architects to create works of art for the liturgy. Consequently it is essential that the education of seminarians and priests include the study of art history, with special reference to sacred buildings and the corresponding
liturgical norms.
Everything related to the Eucharist should be marked by beauty. Special respect and care must also be given to the vestments, the furnishings and the sacred vessels,
so that by their harmonious and orderly arrangement they will foster awe for the mystery of God, manifest the unity of the faith and strengthen devotion (125)."
-The current mind of the Church still tells us the purpose of these externals, as I have beforehand mentioned. (Pope Benedict, then Cardinal Ratzinger, wrote a book that adresses these very things in
bold, the book is called The Spirit of the Liturgy.)
SC42 "
In the ars celebrandi, liturgical song has a pre-eminent place.** (126) …]
Certainly as far as the liturgy is concerned, we cannot say that one song is as good as another. Generic improvisation or the introduction of musical genres which fail to respect the meaning of the liturgy should be avoided. As an element of the liturgy, song should be well integrated into the overall celebration (128).
Consequently everything – texts, music, execution – ought to correspond to the meaning of the mystery being celebrated, the structure of the rite and the liturgical seasons (129).
Finally, while respecting various styles and different and highly praiseworthy traditions, I desire, in accordance with the request advanced by the Synod Fathers, that Gregorian chant be suitably esteemed and employed (130) as the chant proper to the Roman liturgy (131).
(to be continued later…must run for now…)