Moscow’s Assault on the Vatican
The KGB made corrupting the Church a priority.
By Ion Mihai Pacepa
article.nationalreview.com/print/?q=YTUzYmJhMGQ5Y2UxOWUzNDUyNWUwODJiOTEzYjY4NzI=
BATTLING THE CHURCH
In February 1960, Nikita Khrushchev approved a super-secret plan for destroying the Vatican’s moral authority in Western Europe. The idea was the brainchild of KGB chairman Aleksandr Shelepin and Aleksey Kirichenko, the Soviet Politburo member responsible for international policies. Up until that time, the KGB had fought its “mortal enemy” in Eastern Europe, where the Holy See had been crudely attacked as a cesspool of espionage in the pay of American imperialism, and its representatives had been summarily jailed as spies. Now Moscow wanted the Vatican discredited by its own priests, on its home territory, as a bastion of Nazism.
Eugenio Pacelli, by then Pope Pius XII, was selected as the KGB’s main target, its incarnation of evil, because he had departed this world in 1958. “Dead men cannot defend themselves” was the KGB’s latest slogan. Moscow had just gotten a black eye for framing and imprisoning a living Vatican prelate, József Cardinal Mindszenty, the primate of Hungary, in 1948. During the 1956 Hungarian Revolution he had escaped from jail and found asylum in the U.S. Embassy in Budapest, where he began writing his memoirs. As the details of how he had been framed became known to Western journalists, he was widely seen as a saintly hero and martyr.
Because Pius XII had served as the papal nuncio in Munich and Berlin when the Nazis were beginning their bid for power, the KGB wanted to depict him as an anti-Semite who had encouraged Hitler’s Holocaust. The hitch was that the operation was not to give the least hint of Soviet bloc involvement. The whole dirty job had to be carried out by Western hands, using evidence from the Vatican itself.
INFILTRATING THE VATICAN
“Seat-12” was the code name given to this operation against Pius XII, and I became its Romanian point man. To facilitate my job, Sakharovsky had authorized me to (falsely) inform the Vatican that Romania was ready to restore its broken relations with the Holy See, in exchange for access to its archives and a one-billion-dollar, interest-free loan for 25 years. (Romania’s relations with the Vatican had been severed in 1951, when Moscow accused the Vatican’s nunciatura in Romania of being an undercover CIA front and closed its offices. The nunciatura buildings in Bucharest had been turned over to the DIE, and now housed a foreign language school.) The access to the Papal archives, I was to tell the Vatican, was needed in order to find historical roots that would help the Romanian government publicly justify its change of heart toward the Holy See. The billion (no, that is not a typographical error), I was told, had been introduced into the game to make Romania’s alleged turnabout more plausible. “If there’s one thing those monks understand, it’s money,” Sakharovsky remarked."
THE KGB PRODUCES A PLAY
“In 1963, General Ivan Agayants, the famous chief of the KGB’s disinformation department, landed in Bucharest to thank us for our help. He told us that “Seat-12” had materialized into a powerful play attacking Pope Pius XII, entitled The Deputy, an oblique reference to the pope as Christ’s representative on earth. Agayants took credit for the outline of the play, and he told us that it had voluminous appendices of background documents put together by his experts with help from the documents we had purloined from the Vatican. Agayants also told us that The Deputy’s producer, Erwin Piscator, was a devoted Communist who had a longstanding relationship with Moscow. In 1929 he had founded the Proletarian Theater in Berlin, then sought political asylum in the Soviet Union when Hitler came to power, and a few years later had “emigrated” to the United States. In 1962 Piscator had returned to West Berlin to produce The Deputy.”
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- or more recent figures such as JFK even.