S
Sarabande
Guest
This is one of the wisest comments I’ve read on this thread and I absolutely agree.I haven’t heard a person yet on CAF not express a love or appreciation for classical, traditional organ, chant, motets, etc. We all appear to worship in a diverse collection of parishes, ranging from large urban to small rural, liberal to conservative. Yet, we all value this music–music in line with the mind and desires of the Church.
Understanding why P&W music has crept in, and understanding why traditional music is creeping out, what can we do to fix this?
Do we encourage young piano players to play at Mass?
Do we encourage young piano players to learn organ?
Do we encourage chant in our parishes?
How proactive are we?
My predecessor at the Lutheran Church I serve as organist for was a high school student who could just handle the worship on piano. When she told her pastor of her college plans, the congregation begged that the pastor and the parish council do anything and everything to find someone who could play organ again, because they missed it.
They hired me. I can play. Not great, but it’s sufficient for their needs.
But, who replaces me when I’m old? Who replaces me in five years if something changes in my life where I can’t play for them?
Why didn’t they encourage and help their high school student to learn organ? Instead, they suffered through her on piano, glad to have someone playing the hymns, but frustrated because she was playing them on the piano.
The organist at our Methodist church is getting old too. Who’s going to replace her? I can’t. I already have two church gigs.
The Episcopal Church down the road is in the same boat.
We’re letting our churches get away with P&W music because it’s “easy.”
We’re not encouraging the investment.
We all need to be proactive.
Your questions are the same that my older colleagues in their 40s and 50s are asking right now. I know a couple of organists in their 20s and 30s, but we’re not encouraging the young like we should.
You’re right… people have taken the easy way out. And when there is talk in the parishes for a comeback to traditional music, for some it’s usually just lip service even though you do have the qualified people there wanting to promote it. Or it’s the money. Or it’s low standards. (If you want to turn someone off totally on any instrument, especially on the organ, just get an incompetant on the bench.)
Everything you said, MusicMan should be something looked at more closely in every parish and with every individual who is concerned about it. Thank you!