Interesting observation, and I think you’re right! Of course, isn’t this the “Traditional” section of CAF, which could mean that most people who are involved with this section lean towards traditional practices? It’s possible that many “contemporary” Catholics never bother to look at this section and don’t know that this thread is happening.
That being said–IF I could make changes to the Ordinary Form, I would establish the norm of having both a PRELUDE and a POSTLUDE played or sung at every Mass except during Advent and Lent.
The rubrics already allow this, but it’s seldom done. If I am playing, I almost always play a prelude, usually something meditative, and an organ postlude, usually something lively (a Bach piece if I have one worked up).
But after reading several years of CAF, I actually fear that I am doing something detestable to many Catholics, who see the time before AND after Mass as a time for silence in the nave so that they can pray.
Funny thing is, when I have visited the large Catholic parishes in the Big Cities (New York, Chicago), including the “traditional” parishes (e.g., St. John Cantius). they DO have long preludes and postludes on the organ and sometimes vocal pieces as well, and they’re beautiful and they definitely help get my mind turned towards reverence and worship.
But I feel guilty playing pieces like this at the parishes that I play for, because I’ve read so often on CAF that there should be SILENCE before and after Mass!
So I would establish once and for all that musical preludes and postludes ARE appropriate and welcome in the OF, and tell everyone that if they want silence, to come early before the prelude is played, and to stay late after the postlude is played.