S
snowlake
Guest
Music is too vast of a subject matter to leave it’s local governance up to the local “amateur” musician. Sorry if that offends some of you. Even the American Bishops have shown gross lack of knowledge in this area, as evidenced in the discrepanciesIn our desire to be “traditional” we must also respect that tradition of subsidiarity by which the Catholic Church operates.
of their documents w/ those set forth from the Vatican.
I’m looking for my volume of the documents of Vat. II so I can find the place where it says
that the Church should employ the help of lay people who are EXPERTS in various fields.
With the Vatican, there would be no problem w/ this. Even the Pope is extremely learned
in matters musical. It seems to be a problem here though. Although we are to follow the
teachings of Christ through the successors of the apostles, these successors cannot be experts in all fields! They need to consult w/ those who are very knowledgeable in other fields (such as doctors , when writing things on medical topics, astronomers and physicists when dealing w/ those subjects, etc.). The bishops apply the the teaching of the Church to these matters.
Many pastoral musicians are not knowledgeable enough about music to even venture an opinion about what the documents are referring to. Some of them simply have a knowledge of how to read music combined w/ some courses/workshops on liturgy.
I think it might make Cat feel better to know that, in addition to my comments in a previous post (that a simple sung Mass based on chant would not include “classical”
music that she has bad associations with), but that Pope Pius X was in her camp!
His “Tra la Solicitudine” (isn’t it cute that it starts out w/ the words “Tra la (la)”) was
written “as a reform document to correct the abuses of operatic and romantic music”
in the Mass! He wanted to re-instate chant style. (Music & the Arts in Christian Worship by Webber).
About the Church’s statement that it “claims no one style as its own”, I can’t believe that some interpret this to include current (or even non-current) secular styles like we’ve been hearing for the past 30+ years. Anyone with a basic knowledge of music history knows that this means that the church claims no particular SACRED style as its own. There are many sacred styles: plainchant, polyphony, homophonic chorale styles…and many more.
And each of these is subdivided into various “styles”. In “The History of Music and Musical Styles”(Ulrich and Pisk), we read that plainchant had been divided into what the book calls
“three styles”: syllabic, neumatic, and melismatic. There were many polyphonic sacred styles throughout history, and there are people who are experts in individual types!
I suggest that all church musicians read books on music history as well as church documents. It would be very hard to interpret the latter w/o a knowledge of the former.
I myself am not a music historian, but these very basic things are included in the education of anyone who takes a basic course in music history.
There is a lot more to the subject than many of the American faithful (and Bishops)
are aware. This is not to question their office or their authority. I’m only trying to point out a few facts.