I subscribe to this theory as well. Perhaps God gave us the Novus Ordo for the rebellious to fool around with while the Mass Of Ages was protected from them. It’s easier to dumb down than smarten up so it will take generations to fix the damage done. To understand and appreciate the Mass takes time and effort which I doubt most of the Me generation is willing to do. The younger generation is the best hope to recognize the errors of their parents’ generation and correct the ‘spirit of Vatican II’.
I would not put it quite like that. I don’t think God gave one version of the Mass for reverence and one for abuse! Heaven forbid!
It is hard to think of an analogy, but let’s try this: Shakespeare wrote in free verse and he also wrote sonnets. In an age of free verse, it is better to have a poetic medium that allows a free verse, rather than letting people determined to write free verse have at the form of the sonnet. What you wind up with in that case is not only no development of the art of free verse, but also some profoundly bad sonnets.
If you keep the form of the sonnet separate from free verse, though, then you won’t have your ear ruined by the bad free verse that is written. Rather, having heard sonnets written properly, a good ear will be better able to hear and write good free verse, and reject badly written free verse. The good free verse will have the rhthym of language that is maintained in the sonnet by rule. The sonnets will will be better-written, too, because the adherence to the rules will be natural. Both forms, after all, are at their best when they adhere to the natural melody of the language. People can forget it, but the rule of the sonnet very much follows the natural rhthyms of English at its most beautiful. Rules only make us rule-bound when we forget the natural source of the rules.
That is an imperfect analogy for a lot of reasons, but it is my belief that the two rites of the Mass, in the best case, have this natural effect on each other. In poetry, the guiding principle is meaning married to melody of language; in liturgy, reverence married to melody of ritual. The melody of ritual works differently in the two rites, and the failures seem to run in different directions.
I am not saying it is impossible to have good sonnets without free verse or good free verse without the sonnet. I do think that if we pay attention, though, and avoid taking sides too strenuously, the strengths of one will help us to avoid the potential weaknesses in the other, so that both will be at their best. IMHO, that is the best situation.